Monday, 2 September 2013

Professor Longhair & Snooks Eaglin (70's Studio Sessions)


Size: 192 MB
Bitrate: 320
mp3
Found in my Bluesmobile
No Artwork

Professor Longhair:
Henry Roeland "Roy" Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair, was a New Orleans blues singer and pianist. Professor Longhair is noteworthy for having been active in two distinct periods, both in the heyday of early rhythm and blues, and in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival.

The journalist Tony Russell, in his book The Blues – From Robert Johnson to Robert Cray, stated "The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey "Piano" Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaint and Dr. John."

Professor Longhair was born on December 19, 1918 in Bogalusa, Louisiana. He made a living as a street hustler until he started to play piano seriously in his thirties. He taught himself how to play on a piano with missing keys so his style became distinct.

He began his career in New Orleans in 1948, earning a gig at the Caldonia Club, where the owner, Mike Tessitore, bestowed Longhair with his stage name (due to Byrd's shaggy coiffure). Longhair first recorded in 1949, creating four songs (including the first version of his signature song, "Mardi Gras in New Orleans," complete with whistled intro) for the Dallas, Texas based Star Talent label. His band was called the Shuffling Hungarians, for reasons lost to time. Union problems curtailed their release, but Longhair's next effort for Mercury Records the same year was a winner. Throughout the 1950s, he recorded for Atlantic Records, Federal Records and other, local, labels. Professor Longhair had only one national commercial hit, "Bald Head" in 1950, credited to Roy Byrd & His Blues Jumpers. He also recorded his pet numbers "Tipitina" and "Go to the Mardi Gras". However, he lacked the early crossover appeal of Fats Domino for white audiences.


After recuperating from a minor stroke, Professor Longhair came back in 1957 with "No Buts - No Maybes." He revived his "Go to the Mardi Gras" in 1959; this is the version that surfaces every year at Mardi Gras in New Orleans.

He first recorded "Big Chief" with its composer Earl King in 1964. In the 1960s Professor Longhair's career faltered.  He became a janitor to support himself, and fell into a gambling habit.

He appeared at the 1971 New Orleans Jazz and Heritage Festival to restore his standing, and played at the 1973 Newport Jazz Festival and the Montreux Jazz Festival. His recorded live set, Live on the Queen Mary (1978) came from a party given by Paul and Linda McCartney. His single visit to the UK, in 1978, was commemorated by The London Concert.

By the 1980s his albums, such as Crawfish Fiesta on Alligator and New Orleans Piano for Atlantic, had become readily available across America. He appeared on the PBS series Soundstage (with Dr. John, Earl King, and The Meters) and co-starred in the film documentary Piano Players Rarely Ever Play Together. The latter became a memorial tribute when Longhair died in his sleep from a heart attack in the middle of filming. Footage from his funeral was included.

In 1981 he was inducted into the Blues Hall of Fame. He was awarded a posthumous Grammy for his early recordings released as House Party New Orleans Style, and in 1992 was inducted into the Rock and Roll Hall of Fame.

The B side of the 1985 Paul McCartney single 'Spies Like Us', entitled 'My Carnival', credited to Paul McCartney & Wings, was recorded in New Orleans and dedicated to Professor Longhair.

Fess's song "Tipitina" is covered by Hugh Laurie on the 2011-CD album "Let Them Talk". Laurie is a long-time fan, having used Fess's "Go to the Mardi Gras" as the theme for the pilot episode of A Bit of Fry & Laurie.

Snooks Eaglin:
Snooks Eaglin, born Fird Eaglin, Jr. (January 21, 1936 – February 18, 2009), was a New Orleans-based guitarist and singer. He was also referred to as Blind Snooks Eaglin in his early years.

His vocal style is reminiscent of Ray Charles; in the 1950s, when he was in his late teens, he would sometimes bill himself as "Little Ray Charles". Generally regarded as a legend of New Orleans music, he played a wide range of music within the same concert, album, or even song: blues, rock and roll, jazz, country, and Latin. In his early years, he also played some straight-ahead acoustic blues.


His ability to play a wide range of songs and make them his own earned him the nickname "the human jukebox." Eaglin claimed in interviews that his musical repertoire included some 2,500 songs.

At live shows, he did not usually prepare set lists, and was unpredictable, even to his bandmates. He played songs that came to his head, and he also took requests from the audience. He was universally loved and respected by fellow musicians and fans alike.

Eaglin lost his sight not long after his first birthday after being stricken with glaucoma, and spent several years in the hospital with other ailments. Around the age of five Eaglin received a guitar from his father; he taught himself to play by listening to and playing along with the radio. A mischievous youngster, he was given the nickname "Snooks" after a radio character named Baby Snooks.

In 1947, at the age of 11, Eaglin won a talent contest organized by the radio station WNOE by playing "Twelfth Street Rag". Three years later, he dropped out of the school for the blind to become a professional musician. In 1952, Eaglin joined the Flamingoes, a local seven-piece band started by Allen Toussaint. The Flamingoes did not have a bass player, and according to Eaglin, he played both the guitar and the bass parts at the same time on his guitar. He stayed with The Flamingoes for several years, until their dissolution in the mid-1950s.

As a solo artist, his recording and touring were inconsistent, and for a man with a career of about 50 years, his discography is rather slim. His first recording was in 1953, playing guitar at a recording session for James "Sugar Boy" Crawford.

The first recordings under his own name came when Harry Oster, a folklorist from Louisiana State University, found him playing in the streets of New Orleans. Oster made recordings of Eaglin between 1958 and 1960 during seven sessions which later became records on various labels including Folkways, Folklyric, and Prestige/Bluesville. These recordings were in folk blues style, Eaglin with an acoustic guitar without a band.

From 1960 to 1963, Eaglin recorded for Imperial. He played electric guitar on Imperial sessions with backup from a band including James Booker on piano and Smokey Johnson on drums. He recorded a total of 26 tracks which can be heard on The Complete Imperial Recordings. Much of the material on Imperial was written by Dave Bartholomew. Unlike the Harry Oster recordings, these works on Imperial are New Orleans R&B in the style for which he is widely known today. After Imperial, in 1964, he recorded alone at his home with a guitar for the Swedish Broadcasting Corporation, released as I Blueskvarter 1964: Vol.3. For the remainder of the 1960s, he apparently made no recordings.

His next work came on the Swedish label Sonet in 1971. Another album Down Yonder was released in 1978 featuring Ellis Marsalis on piano. Apart from his own work, he joined recording sessions with Professor Longhair in 1971 and 72 (Mardi Gras in Baton Rouge). He also played some funky guitar on The Wild Magnolias' first album recorded in 1973.

Eaglin died of a heart attack at Ochsner Medical Center in New Orleans on February 18, 2009. He had been diagnosed with prostate cancer in 2008 and had been hospitalized for treatment. He was scheduled to make a comeback appearance at the New Orleans Jazz Fest in Spring of 2009. In honor of his contributions to New Orleans music, he was depicted in an artist's rendering on the cover of the "Jazz Fest Bible" edition of Offbeat Magazine for the New Orleans Jazz Fest in 2009.

For many years, Eaglin lived in St. Rose in the suburbs of New Orleans with his wife Dorothea. Though he did not play many live shows, he regularly performed at Rock n' Bowl in New Orleans, and also at the New Orleans Jazz & Heritage Festival. [AMG]

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♫ September 1971 Deep South Recorders, Baton Rouge, Louisiana 

♣ Professor Longhair - piano & vocals
♣ Snooks Eaglin - guitar
♣ Shiba - drums
♣ Will Harvey Jr. - bass

Disc 1
01. Mardis Gras In New Orleans  03:31
02. Her Mind Is Gone  04:28
03. Doing It? [instrumental]  03:58
04. Something On Your Mind  02:46
05. Cry To Me  03:51
06. Since I Met You Baby  05:11
07. Jambalaya  02:12
08. Mess Around [instrumental]  02:43
09. I Got A Woman  03:34
10. Rum & Coke [instrumental]  02:59
11. Goin' Home Tomorrow  04:08
12. Sick And Tired  03:18

♫ June 1972 Ardent Studios, Memphis, Tennessee 

♣ Professor Longhair - piano & vocals
♣ Snooks Eaglin - guitar
♣ Joseph "Zigaboo" Modeliste - drums
♣ George Davis - bass

Disc 2
01. Mean Old World
02. Whole Lotta Lovin'
03. Sick And Tired
04. Stag-O-Lee
05. Bald Head
06. Is Everything Alright
07. Blue Jay Boogie
08. 3 O'Clock In The Morning - Snooks Eaglin solo
09. Tipitina [alternate mix]
10. Junco Partner [alternate take]
11. Hey Little Girl
12. Big Chief

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3 comments:

Anonymous said...

Nice to see you're back!

I to am anonymous.

Ansina said...

Thanks, we missed you!

Anonymous said...

Superb...Thanks for this one.