Tuesday, 25 March 2014

The Beatles - Swedish Radio Show, 1963-10-24 (Bootleg)

Size: 75.8 MB
Bitrate: 320
Found in OuterSpace
Artwork Included 

The Beatles became a sensation in the U.K. in 1962-63, about a year or more before anyone in the U. S. knew much about them.  However, before that, the Beatles had honed their craft playing in nightclubs and other gigs dating to the late 1950s.  Known by earlier names such as The Quarrymen, Johnny & the Moon- dogs, and the Silver Beatles, they played a variety of venues, with some alternating personnel during those early years.  

In Hamburg, Germany, and Liverpool, Eng- land, from about 1960 on, they worked hard and steadily in nightclubs, putting in long hours, improving their stage act, increasing their range of music, and writing their own songs.  They were a cover band as well, as most English rock bands then were.  They offered their own versions of Buddy Holly, Little Richard, Chuck Berry, Carl Perkins, Larry Williams, and others.  

By late 1961, they were playing to packed houses at the Cavern nightclub in Liverpool, England where they were discovered by their manager-to-be Brian Epstein in November 1961.  Epstein did a wardrobe and style make-over on them, cleaning them up for the music industry.  By May 1962, after being rejected by a number of U.K. record labels, they signed a deal with EMI, then the U.K.’s leading music company.

During 1962, their songs began hitting the British Melody Maker music chart and others.  “Love Me Do,” a Lennon/McCartney compo- sition, reached No. 21 in the fall that year, and their first No. 1 hit came with “Please, Please Me” on February 22, 1963.  At about this point, what came to be known as “Beatlemania” began to take hold in the U.K.  Their first U.K. album was titled Please Please Me, released in April of 1963.  Within four weeks it would be the No.1 U.K. album, remaining in that position for 30 weeks, followed by their second U.K. album, With the Beatles.  From then on, there came a string of No. 1 Beatles’ hits and No. 1 albums until the group broke up in 1969-1970.

The Beatles - US Single 13 Jul 1964
In the American music industry, however, there was an initial hesitancy about the Beatles, as some record executives and DJs, especially in 1963, didn’t think that British acts generally would do well in America.  That perspective would soon change.

What follows below is a timeline marking the rise of Beatles’ music and appearances in the U.S. during 1963 and 1964, along with a few photos, anecdotes, and sidebar stories.  It is not a complete and comprehensive treatment of the Beatles’ activities during these years, nor is it meant to be.  There are entire books and websites devoted to that topic, some of which are noted in “Sources & Additional Information” at the end of this article.  What is offered here, hopefully, is a representative sampling of activity in those first two “Beatles-in-America” years, mixing in music history, business developments, and news-of-the-times – plus one or two stories that may be new to many readers.

January 1963
George Martin of EMI in London sends a copy of “Please Please Me” to U.S. subsidiary Capitol Records, urging executives there to distribute Beatles’ songs in the U.S. They decline, saying: “We don’t think the Beatles will do anything in this market.”  Lesser known labels then begin picking up Beatles’1963 songs for U.S. release.

25 Jan 1963
Vee-Jay record label of Chicago obtains a contract to release limited number of Beatles records in the U.S. for a limited time period.

25 Feb 1963
“Please Please Me”/ “Ask Me Why” released as single on Vee-Jay label.  The song is played on Chicago’s WLS radio station where it reaches No. 35 on WLS music survey in March, but does not chart nationally; not on Billboard.

The Beatles - US Single 25 Jan 1964
27 May 1963
“From Me To You” / “Thank You Girl” released as a single by Vee-Jay, but is barely visible; No. 116 on August Billboard chart, drops off thereafter.

16 Sept 1963
“She Loves You” / “I’ll Get You” released in U.S. by Swan Records, a Philadelphia label, but does not chart on Billboard.

31 Oct 1963
American TV variety show host, Ed Sullivan, traveling to London, has his arrival delayed at London Heathrow Airport by a screaming crowd of teens welcoming the Beatles home from a tour of Sweden.  Sullivan has his first thoughts of booking these rising British music stars with strange haircuts – perhaps as novelty act.

11-12 Nov 1963
Beatles manager Brian Epstein travels to New York and persuades Ed Sullivan to book the Beatles for an unprecedented three consecutive appearances on Sullivan’s much-watched Sunday evening variety show – February 9th, 16th and 23rd, 1964.  CBS-TV gets one year’s exclusive rights to the Beatles’ U.S. television appearances.

15 Nov 1963
Time magazine take notice of the “Beatlemania” craze sweeping England and the Beatles’ command performance for British royalty in London.

16 Nov1963
CBS News bureau London – at the suggestion of Beatles’ manager Brian Epstein – sends a news crew to the British seaside resort of Bournemouth where they film a Beatles concert, thousands of screaming fans, and a few Beatles’ comments on camera.  This film clip is later sent to New York.

Mid-late Nov 1963
Brian Epstein phones Capitol Records president Alan Livingston over label’s refusal to distribute Beatles songs in America.  Epstein urges Livingston to listen to the U.K. single, “I Want To Hold Your Hand,” while mentioning the Beatles’ upcoming 1964 Ed Sullivan Show appearances as a big opportunity for Capitol.  Livingston later agrees to spend $40,000 for Beatles promotion, equal to about $250,000 in today’s money.

The Beatles - US Single 1964
18 Nov 1963
NBC’s evening news program, The Huntley-Brinkley Report, airs a four-minute segment on the Beatles.

22 Nov 1963
U.K. album, With The Beatles, is released in the U.K., rising to No. 1 on the British album charts and remaining there for 21 weeks. With The Beatles becomes the Beatles’ first million-selling album in Britain, and the second album of any kind in Britain to sell one million copies, the first being the South Pacific soundtrack.

22 Nov 1963
The “CBS Morning News With Mike Wallace” runs a story on the Beatles for the network’s morning news show. CBS planned to repeat the segment that evening on Walter Cronkite’s newscast.  However, that day, in mid afternoon, Walter Cronkite was breaking the tragic news to a shocked nation that their President, John F. Kennedy, had been shot and killed while visiting Dallas, Texas.

29 Nov 1963
The Beatles’ single “I Want To Hold Your Hand” is released in the U.K. and immediately hits No. 1 on the British pop charts.

29 Nov 1963
Radio station KIOA in Des Moines, Iowa begins playing “I Saw Her Standing There” from a Drake University student’s copy of Beatle’s U.K. album, Please Please Me, and a few days later, “I Want to Hold Your Hand,” from a U.K. Beatles’ single  

1 Dec 1963
The New York Times Sunday Magazine, runs a story on “Beatlemania” in the U.K.

The Beatles Swedish - Info
4 Dec 1963
Capitol Records issues a press release announcing that it will begin selling the Beatles’ first U.S. 45 rpm single, “I Want To Hold Your Hand,” on Monday, January 13th, 1964.

10 Dec 1963
A four-minute CBS film segment on The Beatles that had been pre-empted by the JFK tragedy is aired on Walter Cronkite’s  CBS Evening News. 

17 Dec 1963
Radio disc jockey Carroll James at Washington. D.C. station WWDC, plays rare U.K. copy of  “I Want to Hold Your Hand” on the radio after 15-year-old girl from Silver Spring, MD wrote to him  requesting Beatles music after seeing the CBS-news segment.  James arranged to have an airline stewardess buy a U.K. copy of the Beatles’ latest single in London.  Listeners phone in repeatedly to request the song.

18-19 Dec 1963
Capitol Records threatens to sue WWDC to stop playing song, but then reverses itself and decides to rush-release “I Want To Hold Your Hand,” previously scheduled for  January 13, 1964.  Christmas leave is canceled at Capitol Records, as pressing plants and staff gear up for rush release.

23 Dec 1963
Capitol Records issues a memo to its sales people and regional managers across the country, outlining an extensive “Beatles Campaign” using various promotional items – from major music magazine trade ads and a fake tabloid Beatles newspaper (reprinted in the thousands), to Beatle buttons, Beatle stickers, Beatle wigs, and a battery-powered, “Beatles-in-motion,” bobble-head-like, window display for music stores.

26 Dec 1963
Capitol Records begins distributing “I Want To Hold Your Hand” to radio stations in major U.S. cities where it is played regularly.  With teens home for Christmas-New Years break, radios get full-time use, and the record begins selling like crazy.  In New York City, 10,000 copies are sold every hour.  In the first three days, 250,000 copies are  sold. Capitol was so overloaded it contracted Columbia Records and RCA to help with the pressings.

28 Dec 1963
The New Yorker magazine publishes a Brian Epstein interview; regarded as first serious article in U.S. about the Beatles and their manager.

29 Dec 1963
New York city radio station WMCA joins others  broadcasting “I Want To Hold Your Hand.”  Back in London, meanwhile, Sunday Times critic Richard Buckle praises the Beatles as the greatest composers since Beethoven.

30 Dec 1963
A two-page ad from Capitol Records pitching the Beatles’ recordings runs in Billboard and Cash Box music industry magazines.  Bulk reprints of these ads have already been distributed to Capitol’s sales agents for use with radio stations and in enlarged, easel-scale size for use in music store displays across the country.

The Beatles - 'Swedish Radio Show' 
Karlaplans Studio, Stockholm 
Sweden 1963-10-24

01. Swedish announcer intro
02. I Saw Her Standing There
03. From Me To You
04. Money
05. Roll Over Beethoven
06. You Really Got A Hold On Me
07. She Loves You
08. Twist And Shout

*Bonus Tracks*
The Beatles - 'Blackpool Night Out'   
ABC Theatre, Blackpool 
England 1964-07-19

09. A Hard Day's Night
10. Things We Said Today
11. You Can't Do That
12. If I Fell
13. Long Tall Sally

1. Link
2. Link


Anonymous said...


Anonymous said...

Hey Chris, you didn't give my good friend, syncopatico, credit for doing the pitch corrections on this one! (He even made those 'Blackpool Night Out' bonus tracks listenable!) That's OK, we still love ya! ;-) -- dandor

Anonymous said...

You bring up memories of that time when we were longing for the FabFour next release! Thanks

Pello said...

Thank you very much for this!!

John Tsui said...

hi please please please could you reupload this??!?!?!?!

John Tsui said...

hi please please please could you reupload this !!!