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The Texas International Pop Festival was a music festival held at Lewisville, Texas, on Labor Day weekend, August 30 to September 1, 1969. It occurred two weeks after Woodstock. The site for the event was the newly-opened Dallas International Motor Speedway, located on the east side of Interstate Highway 35E, across from the Round Grove Road intersection.
|Johnny Winter - UK Single May 1969|
Artists performing at the festival were: Led Zeppelin, B.B. King, Canned Heat, Chicago (then called Chicago Transit Authority), Delaney and Bonnie and Friends, Freddie King, Grand Funk Railroad, Herbie Mann, Incredible String Band, James Cotton, Janis Joplin, Johnny Winter, Nazz, Rotary Connection, Sam and Dave, Santana, Shiva's Headband, Sly and the Family Stone, Space Opera, Spirit, Sweetwater, Ten Years After and Tony Joe White.
North of the festival site was the campground on Lewisville Lake, where hippie attendees skinny-dipped and bathed. Also on the campground was the free stage, where some bands played after their main stage gig and several bands not playing on the main stage performed. It was on this stage that Wavy Gravy, head of the Hog Farm commune, acquired his name. (At Woodstock, he was Hugh Romney.)
The Merry Pranksters, Ken Kesey's group, was in charge of the free stage and camping area. While Kesey was neither at the Texas event nor at Woodstock, his right hand man, Ken Babbs, and his psychedelic bus, Further (Furthur) were. The Hog Farm provided security, a trip tent, and free food.
Attendance at the festival remains unknown, but is estimated between 120,000 and 150,000. As with Woodstock, there were no violent crimes reported. There was one death, due to heatstroke, and one birth.
High-quality soundboard bootleg recordings of almost the entire festival are circulated on the internet. Led Zeppelin's set is one of the most popular Led Zeppelin bootlegs due to the high technical and musical quality of the performance.
Texas International Pop Festival
Dallas, TX, 1 September 1969
♦ Johnny Winter: Vocals, Guitar
♦ Tommy Shannon: Fender Bass
♦ Uncle John Turner: Drums
02. Mean Town Blues
03. Black Cat Bone
04. Mean Mistreater
05. Talk To Your Daughter
06. Leland Mississippi Blues (titled: Look Up)
07. I Can Love You Baby) (faded out)
|Johnny Winter - 2nd Album|
When Johnny Winter emerged on the national scene in 1969, the hope, particularly in the record business, was that he would become a superstar on the scale of Jimi Hendrix, another blues-based rock guitarist and singer who preceded him by a few years. That never quite happened, but Winter did survive the high expectations of his early admirers to become a mature, respected blues musician with a strong sense of tradition.
He was born John Dawson Winter III in Leland, Mississippi, on February 23, 1944, and as an infant moved to Beaumont, Texas, where his brother Edgar Winter was born on December 28, 1946; both brothers were albinos. They turned to music early on, Johnny Winter learning to play the guitar, while Edgar Winter took up keyboards and saxophone. Before long they were playing professionally, and soon after that recording singles for small local record labels. Both of them were members of Johnny & the Jammers, whose 45 "School Day Blues"/"You Know I Love You" was released by Dart Records in 1959.
In 1968, Winter decided to focus exclusively on blues-rock, and he formed a trio with Tommy Shannon on bass and John "Red" Turner on drums. He signed with the Austin, Texas, label Sonobeat Records, and in August cut The Progressive Blues Experiment, released locally. His life was changed irrevocably with the publication of the December 7, 1968, issue of Rolling Stone magazine, which contained an article by Larry Sepulvado and John Burks about the Texas music scene. "The hottest item outside of Janis Joplin," they wrote, "… remains in Texas.
If you can imagine a hundred and thirty-pound cross-eyed albino with long fleecy hair playing some of the gutsiest fluid blues guitar you have ever heard, then enter Johnny Winter." Among those who read the article was New York club owner Steve Paul, who hopped a plane to Texas and convinced Winter to hire him as manager.
Winter quickly went into a recording studio with his band to cut his debut for CBS' Columbia label, but in the meantime other labels discovered that he had made a lot of recordings in his youth, and they began buying or leasing the early material. Imperial Records bought The Progressive Blues Experiment from Sonobeat and re-released it in March 1969; it entered the charts and peaked at number 40. Winter's Columbia debut, titled Johnny Winter, was released on April 15 and peaked at number 23. In August, GRT Records released The Johnny Winter Story, consisting of material recorded in the early ‘60s; it got to number 111. In October, Buddah Records followed with First Winter, and Janus Records released About Blues in November. (Unfortunately, repackagings of Winter's early recordings continued to litter his discography throughout his career.)
Meanwhile, Winter appeared at the Woodstock festival in August 1969. (In 2009, The Woodstock Experience, an album of his performance, was released.) His second Columbia album, Second Winter, was released in November 1969 and reached number 55. In the spring of 1970, he disbanded his trio and enlisted the former members of the McCoys to back him: Rick Derringer (guitar), Randy Jo Hobbs (bass), and Randy Z. (drums).
|Johnny Winter |
Billboard Review September 1970
Winter was not able to capitalize on the career momentum generated by the success of Live Johnny Winter And. He had become addicted to heroin and suffered from suicidal depression, as a result of which he suspended his career and went home to Beaumont. In this age before rehabilitation clinics, he was hospitalized, initially in Beaumont and then, for nine months, at River Oaks Hospital in New Orleans. His next appearance on disc was as a guest on Roadwork, the live album released by Edgar Winter's White Trash in March 1972, which was preceded by Edgar Winter's introduction in which he said people kept asking him, "Where's your brother?" Johnny Winter was not able to return to action full-time until the release of his comeback album, Still Alive and Well, in March 1973. The album, which featured "Silver Train," a song specially written for Winter by Mick Jagger and Keith Richards, peaked at number 22.
Winter returned to touring. His next album, Saints & Sinners, appeared in February 1974 and peaked at number 42. Before the year was out, he had another one ready, and John Dawson Winter III, featuring "Rock & Roll People," a song specially written for Winter by John Lennon, was released in November, peaking at number 78.
For Captured Live!, Winter was transferred to a Steve Paul-created custom label within CBS, Blue Sky Records. The album was released in February 1976 and peaked at number 93. Edgar Winter was also on Blue Sky, and the brothers combined for a live album, Together, released in June, which peaked at number 89.
|Johnny Winter |
Billboard Reviw March 1971
Winter signed to the independent blues label Alligator Records, for which he made Guitar Slinger, released in May 1984. It returned him to the charts, and its follow-up, Serious Business (September 1985) was another chart entry. He completed his commitment to Alligator with 3rd Degree (November 1986). He was then signed by Voyager Records, distributed by MCA Records, for The Winter of '88 (October 1988). The album represented an attempt to take him in the more commercial direction of ZZ Top's synthesized blues-boogie, but the attempt backfired, and the album did not chart. Winter returned to more of a straight-ahead blues approach after signing to Virgin Records' Point Blank/Charisma imprint on his next album, Let Me In (July 1, 1991). He followed it with Hey, Where's Your Brother? (November 3, 1992).
Winter focused more on concert work than recording after the early '90s. For Live in NYC 1997 (March 10, 1998), he had fans vote on the tracks to be included. Six years passed before the release of I'm a Bluesman (June 15, 2004). Winter inaugurated a series of archival concert collections on Friday Music with Live Bootleg Series, Vol. 1 (October 9, 2007), which was followed by Vol. 2 (March 4, 2008), Vol. 3 (July 29, 2008), Vol. 4 (February 10, 2009), and Vol. 5 (June 30, 2009). Meanwhile, a concert appearance resulted in his first new album in five years, Live at the 2009 New Orleans Jazz & Heritage Festival, released by Munck Mix on December 15, 2009. On January 12, 2010, he released Live Bootleg Series, Vol. 6. In September 2010, he announced that he had signed to Megaforce Records. His label debut, Roots, appeared in 2011.
Johnny Winter And
Sweden 1 February 1971
♦ Johnny Winter: Guitar, Vocals
♦ Rick Derringer: Guitar
♦ Randy Hobbs: Bass
♦ Bobby Caldwell: Drums.
01. Good Morning Little School Girl 4:26
02. Rock´n Roll Hootchie Coo 5:24
03. Be Careful With A Fool> It's My Own Fault 18:10
04. Jumping Jack Flash 5:18
05. Great Balls of Fire> Whole Lotta Shaking Going On[fade out] 20:57
Part 1: Johnny Winter 1
Part 2: Johnny Winter 2
Part 1: Johnny Winter 1
Part 2: Johnny Winter 2
|Still Alive and Well Advertise Poster 1973|