Darius, Don't You Get The Feelin: B.B. King - Singin' The Blues (US 1957) & The Blues (US 1958)

B.B. King - Singin' The Blues (US 1957)

Size: 68.6 MB
Bitrate: 256
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Ripped By: ChrisGoesRock
Japan 24 Bit Remaster
Artwork Included

His reign as King of the Blues has been as long as that of any monarch on earth. Yet B.B. King continues to wear his crown well. At age 76, he is still light on his feet, singing and playing the blues with relentless passion. Time has no apparent effect on B.B., other than to make him more popular, more cherished, more relevant than ever.

Don't look for him in some kind of semi-retirement; look for him out on the road, playing for people, popping up in a myriad of T.V. commercials, or laying down tracks for his next album. B.B. King is as alive as the music he plays, and a grateful world can't get enough of him.

For more than half a century, Riley B. King - better known as B.B. King - has defined the blues for a worldwide audience. Since he started recording in the 1940s, he has released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola. In his youth, he played on street corners for dimes, and would sometimes play in as many as four towns a night.

In 1947, he hitchhiked to Memphis, TN, to pursue his music career. Memphis was where every important musician of the South gravitated, and which supported a large musical community where every style of African American music could be found. B.B. stayed with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. further in the art of the blues.

B.B.'s first big break came in 1948 when he performed on Sonny Boy Williamson's radio program on KWEM out of West Memphis. This led to steady engagements at the Sixteenth Avenue Grill in West Memphis, and later to a ten-minute spot on black-staffed and managed Memphis radio station WDIA. "King's Spot," became so popular, it was expanded and became the "Sepia Swing Club."

Soon B.B. needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. King.

In the mid-1950s, while B.B. was performing at a dance in Twist, Arkansas, a few fans became unruly. Two men got into a fight and knocked over a kerosene stove, setting fire to the hall. B.B. raced outdoors to safety with everyone else, then realized that he left his beloved $30 acoustic guitar inside, so he rushed back inside the burning building to retrieve it, narrowly escaping death.

When he later found out that the fight had been over a woman named Lucille, he decided to give the name to his guitar to remind him never to do a crazy thing like fight over a woman. Ever since, each one of B.B.'s trademark Gibson guitars has been called Lucille.

Soon after his number one hit, "Three O'Clock Blues," B.B. began touring nationally. In 1956, B.B. and his band played an astonishing 342 one-night stands.

From the chitlin circuit with its small-town cafes, juke joints, and country dance halls to rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, B.B. has become the most renowned blues musician of the past 40 years.

01. Please Love Me
02. You Upset Me Baby
03. Everyday I Have the Blues
04. Bad Luck
05. 3 O'Clock Blues
06. Blind Love
07. Woke Up This Morning
08. You Know I Love You
09. Sweet Little Angel
10. Ten Long Years
11. Did You Ever Love a Woman
12. Crying Won't Help You

B.B. King - The Blues (US 1958)

Size: 65.9 MB

Bitrate: 256

mp3

Ripped By: ChrisGoesRock

Japan 24 Bit Remaster

Artwork Included

Recorded in 1958, THE BLUES was one of the last albums B.B. King cut for the Crown label before moving to ABC-Paramount.

The record has a loose, roadhouse vibe and features King backed by a full band, including horns, piano, harmonica, and a thumping rhythm section. At the heart of the set are, of course, King's stinging, soulful leads and his passionate vocals, serving up instant classics like "Why Does Everything Happen to Me" and "When My Heart Beats Like a Hammer." The album is distinguished by a raw, ragged feel, which proves refreshing in light of the artist's subsequent slicker recordings.

01. Why Does Everything Happen to Me

02. Ruby Lee

03. When My Heart Beats Like a Hammer

04. Don't Have To Cry (AKA Past Day)

05. Boogie Woogie Woman

06. Early in the Morning

07. I Want To Get Married

08. That Ain't The Way To Do It

09. Troubles, Troubles, Troubles

10. Don't You Want a Man Like Me

11. You Know I Go for You

12. What Can I Do