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Breakthru were a powerful live act who never managed to "break through" into the record charts despite a talented and charismatic line-up. 40 years later, Circle Records has released a compilation of their recorded material that we can now hear and appreciate for the first time.
Breakthru never managed to have an album released of their own which was unfortunate as their only record was a solitary single "Ice Cream Tree" that has since appeared on various 1960s compilations. The group were never happy with the single as it was not a good representation of their "sound", and particularly as the song was not composed by the band themselves. All the group members were actively involved in song writing with some of this backlog occasionally committed to tape whenever time and money would permit. Now, decades later, the previously un-released recordings they made have been assembled into the one and only Breakthru album titled "Adventures Highway". This collection the band members say, represents how they would like the group to be best remembered.
Circle Records is an independent U.K. based record label that specializes in obscure groups from the 1960s and 70s. Operated by Peter Wild, the label prides itself in releasing high-quality vinyl pressings and CDs with the emphasis on attention to detail as well as respect for the artists themselves. "Quality not Quantity" is their motto so if the Breakthru album is any indication of this, I look forward to any other projects they do involving West Midlands bands.
Circle Records is an independent U.K. based record label that specializes in obscure groups from the 1960s and 70s. Operated by Peter Wild, the label prides itself in releasing high-quality vinyl pressings and CDs with the emphasis on attention to detail as well as respect for the artists themselves. "Quality not Quantity" is their motto so if the Breakthru album is any indication of this, I look forward to any other projects they do involving West Midlands bands.
You can order the CDs separate from the vinyl, but then you'd be missing out on the full-size artwork and book. After getting used to CDs over the years, it feels wonderful to hold a new "vinyl" album in my hands again and being able to clearly read all the liner notes and book without use of a magnifying glass! The quality of the packaging for both LP and CD is exceptional with full-colour artwork throughout and more than 100 vintage photos (some in colour) of the band as taken by their "official" photographer Barry Gonen. Also appearing in the artwork are reproductions of original advertisements and other memorabilia associated with the group. The CD booklet comprises 16 pages with a well-researched and highly detailed history of the group as written by Mike Stax of Ugly Things magazine.
Getting down now to the music - did I mention there was music in this package? Well yes there is and lots of it too! Chronologically and starting with Ice-Cream Tree, this was the A-side to the group's only single and issued in 1968. It's very much a period piece but really not half as bad as the group made it out to be. I rather like it as there's a very catchy chorus (ring-a-ring of roses I can see, let's all dance round the ice cream tree...) and indeed could have become a hit. Just as well for the band it wasn't though so they were spared the embarrassment of having to perform it for more than a few times live on stage. The B-side Julius Caesar was an original composition by drummer Richard Thomas and less "pop" but more "rock". I love the drums and bass on this one - too bad it didn't go on for longer as it lends itself to an extended instrumental solo somewhere in the middle.
Going now to the unreleased material, the first batch of which was recorded at Tetlow's Recording Studio in Birmingham at the end of 1967. The group-written Yours was an early attempt of an original song but would have been difficult to dance to with its stops and shifting rhythm. A cover of the Gershwin classic Summertime sounds much more accessible with plenty of Hammond organ powering it along. Toyland from 1968 was an unusual one for the band as it was a cover of the Alan Bown version and according to Keith Abingdon, may not have ever been played live by the group. All these mentioned tracks appear on the CD EP that comes with the standard CD package.
As for the "Adventures Highway" album itself, this was assembled from a combination of unreleased-demos, BBC sessions, and surviving recordings from the results of various excursions into the studio by the group between 1967 and 1970. Side one kicks off with the high-energy group-composed Believe It from 1970. You can just imagine the band going all out on this one with its high-energy blues-driven attack. Here Comes The End from 1967 is a lot more psychedelic sounding with abundant echo effects but still very powerful. The bluesy cover of Willie Dixon's Spoonful really gives an indication of what Breakthru were all about. Gary Aflalo's blues-harmonica playing on this one is exceptional against a backdrop of thundering hammond organ and distorted guitars. If you really hate your neighbours then this is the one to play loud!
Love Is Strange starts out with some crashing guitars/bass/drums highly reminiscent of The Beatles Rain. This one is supposedly based on the Everly Brother's version of the song and features both Gary Aflalo and Keith Abingdon doing a good job harmonizing on the vocals. This is followed by the album's title track Adventures Highway from 1968 and what a number it is too! Menacing hammond organ joined by pounding drums and guitar build into a climax of sheer volume that soon becomes a backdrop for spaced-out lyrics; Oh let's get transmitted, there's no planet that's too far. We'll see Jupiter and Mars, we'll see strange and weird sights on our space bound trip tonight... (make of it what you will).
The melodic and hypnotic I Have A Dream composed by Geoff Garratley, reaches the height of social consciousness to include actual recorded excerpts from Martin Luther King's famous speech. Interestingly, this track was left off the vinyl version of the Breakthru album. Bob Booth's Growing Older is similarly laid-back but does include some wild hammond fingering towards the end. Troubleshoot co-written by Keith Abingdon and Richard Thomas is an excellent psychedelic rampage with lyrics to match. It has some great wah-wah guitar effects similar to what Roy Wood was doing at the time on many of The Move's records. We then go right into The Story Of Peer Gynt with its opening riff taken directly from Hall Of The Mountain King (almost seems like a tradition amongst Brum bands to pay tribute to classical music at some time or another). This rocking track was considered for single release at the time but for some reason it never happened. A pity as it would surely have made a good follow up to Ice Cream Tree.
The final track on the Breakthru album is titled Sailor Song. A wonderfully harmonious partnership of keyboard and guitar, and as the title suggests, the lyrics tell of a seafaring character who would rather spend his life out on the ocean rather than be troubled by the problems experienced by those on land. Maybe it's meant as an expression of ultimate freedom (or freedom of expression) that seems to run through the groups music from start to finish on these collected tracks that make up the Breakthru album.
The Circle Records "Breakthru" album package serves as a fine tribute to one of the West Midlands great performing groups of the late 1960s. Breakthru were one of those bands who were at the leading edge of the pop music revolution at a time when innovation and the growth of new musical ideas was reaching its peak during the 1960s. "Adventures Highway" fulfills a dream they had back then and this time you can join them on their journey. Highly reccommended!
Only known for the one single in 1968 “Ice Cream Tree” /”Julius Caesar” on Mercury, (and largely misunderstood from this to be a ‘pop’ act), Birmingham’s Breakthru were in fact one of the loudest, hairiest and most exciting ‘psychedelic’ rock bands of their time. However, they could create soulful, sensitive or just plain ‘catchy’ sounds too. Young and very fashionable, many audiences had seen nothing like them. They took their wild stage show, complete with smoke and lights, all over Great Britain: Playing many of London’s most important clubs of the day in the process, such as “Happening 44”, “The Electric Garden”, “Blaises” and “The Marquee”. They also were resident at a club in Switzerland for a time, and made a big impression at Plumpton’s 1969 “National Jazz and Blues Festival”.
This is their first complete album, and gathers together all their surviving recordings. Despite the sole single release, the band recorded much material from 1967 to 1970. Included here are their cancelled second Mercury 45 “Peer Gynt”/”Troubleshoot”, alongside 14 other unreleased titles, and two which only made a brief appearance on a contemporary compilation. The ‘album’ C.D. runs for over 50 minutes, and has been put together to show the band as the ex-members would like best to be remembered.
The ‘E.P.’ disc contains their single release, alongside three of their earliest/more pop-orientated numbers. Together, these show the band’s musical range in full. In the overcrowded, constantly re-cycling ‘60s reissue market, this is new, fresh and largely unheard, restored as far as possible from original tapes and acetates. In development for over a year, this C.D. gives something different to the seasoned collector and curious ‘adventurer’ alike.
Breakthru were formed in 1967 as a professional group and were based in Sutton Coldfield. The members came from a couple of young semi-pro bands; The Clampets who were an R&B band from the Kingshurst area of Birmingham, and The Set who were a pop group from Castle Bromwich. The original members of Breakthru were Keith "Smoke" Abingdon (guitar), Bobby Booth (bass guitar), Geoff Garratley (Hammond organ), and drummer Jim Leyland. Breakthru were fronted by the charismatic and afro-equipped Gary Aflalo who more than filled the position of lead vocalist.
Gigs were booked by the Richardson Entertainments agency of Birmingham. The original concept of the band was to establish an exciting live act that would combine soul and Tamla standards with self-composed progressive music. Some reviewers who attended a Breakthru performance would describe the band's music as "Psychedelic Soul" which was probably a good description of it for that time. The Breakthru soon became a popular live act who played most of the well known local venues in Birmingham and throughout West Midlands. The group also had a residency at London's Marquee Club as well as playing bookings all over the U.K. which included performances at outdoor music festivals.
By 1968 there were a few changes to the Breakthru line-up with Jim Leyland leaving to be replaced by drummer Richard "Plug" Thomas, and Frank Farrell replacing Bobby Booth on bass guitar. A significant booking for the band was the Woburn Abbey "Festival of Flower Children" held in August of 1967. This three day event also included such famous names as The Jimi Hendrix Experience, The Bee Gees, Eric Burdon, and The Small Faces amongst others. The festival was hosted by the influential British DJ John Peel (film footage of this concert still exists). Breakthru also performed at the highly-rated Plumpton and National Jazz and Blues festivals (for more information, check out The Archive - an excellent website that profiles the great UK rock festivals from 1960 to 1975).
Breakthru were signed to the Mercury Records label in 1968 for whom they recorded a single. The A-side entitled Ice Cream Tree was composed by Tom Loach, while the B-side Julius Caesar was a song composed by the bands' manager Russell Thomas. According to drummer Richard Thomas, the record was not a good representation of the band's sound at that time. The single was released in November of 1968 but apparently had no success in the record charts. A follow-up single Peer Gynt remained unreleased.
One of the more unusual performances by the band was a gig played on the roof of Nelson House clothing shop on Birmingham's Bull Street. This ground-breaking event was organized to drum up publicity for the opening of the new store and it pre-dated the Beatles famous rooftop concert by a year! 1969 saw more changes to the Breakthru line-up when Birmingham School of Music graduate Bill Hunt replaced Geoff Garratley on the Hammond organ.
The recording of a proposed Breakthru album of original material for Mercury Records was well underway during 1969 but unfortunately nothing was ever released due to the cancellation of the band's recording contract. In 1970, the group toured Europe but disbanded shortly after returning to the U.K. with the various members going in their own musical directions.
Gary Aflalo went on to a lead role in the famous musical Hair in 1971. Frank Farell (now deceased) played bass guitar with the successful progressive rock band Supertramp and later worked with Leo Sayer co-composing his No. 1 hit record Moonlighting. Keith Abingdon carried on as a working musician and composer. Bill Hunt became part of the first live line-up of the Electric Light Orchestra (see The Move) and later became a member of Roy Wood's chart-topping band Wizzard. He is now a music teacher.
Richard Thomas moved to London and worked with American guitarist Joe Jammer before joining the respected prog-rock band Jonesy with whom he recorded three albums. In 1974, Richard Thomas formed the group "Gold" who were originally a pop act but later became one of the most successful bands to record advertising "jingles" during the 1980s. Richard also formed a recording group with former Breakthru band-mate Keith Abingdon called "Spot The Dog" under which name they released a couple of good (though non-charting) singles during the early 1980s. Richard is still a full-time musician and song writer, also producing music for TV. To read more about Breakthru, visit the website of Richard Thomas at www.dickiethomas.co.uk
Breakthru never managed to have an album released of their own which was unfortunate as their only record was a solitary single 'Ice Cream Tree' that has since appeared on various 1960s compilations. The group were never happy with the single as it was not a good representation of their "sound", and particularly as the song was not composed by the band themselves.
All the group members were actively involved in song writing with some of this backlog occasionally committed to tape whenever time and money would permit. Now, decades later, the previously un-released recordings they made have been assembled into the one and only Breakthru album titled 'Adventures Highway'. This collection the band members say, represents how they would like the group to be best remembered.
Circle Records is an independent U.K. based record label that specializes in obscure groups from the 1960s and 70s. Operated by Peter Wild, the label prides itself in releasing high-quality vinyl pressings and CDs with the emphasis on attention to detail as well as respect for the artists themselves. "Quality not Quantity" is their motto so if the Breakthru album is any indication of this, I look forward to any other projects they do involving West Midlands bands.
Circle Records have done an amazing job in putting this package together. With full co-operation and assistance from former group members, the Breakthru 'Adventures Highway' album includes the best of the band's previously un-issued recordings from 1967 to 1970. The audio quality of some individual tracks does vary as you can pretty much tell those done as demos or salvaged from acetates but do not let this distract you from enjoying the music. Reportedly a year in the making, the complete "Breakthru package" comprises two compact discs (CD and CD EP) in a jewel case with booklet, a vinyl LP in an attractive printed sleeve with full-size book, and a reproduction vinyl 45 rpm single in its own printed sleeve.
You can order the CDs separate from the vinyl, but then you'd be missing out on the full-size artwork and book. After getting used to CDs over the years, it feels wonderful to hold a new "vinyl" album in my hands again and being able to clearly read all the liner notes and book without use of a magnifying glass!
The quality of the packaging for both LP and CD is exceptional with full-colour artwork throughout and more than 100 vintage photos (some in colour) of the band as taken by their "official" photographer Barry Gonen. Also appearing in the artwork are reproductions of original advertisements and other memorabilia associated with the group. The CD booklet comprises 16 pages with a well-researched and highly detailed history of the group as written by Mike Stax of Ugly Things magazine.
Getting down now to the music - did I mention there was music in this package? Well yes there is and lots of it too! Chronologically and starting with 'Ice-Cream Tree', this was the A-side to the group's only single and issued in 1968. It's very much a period piece but really not half as bad as the group made it out to be. I rather like it as there's a very catchy chorus (ring-a-ring of roses I can see, let's all dance round the ice cream tree...) and indeed could have become a hit. Just as well for the band it wasn't though so they were spared the embarrassment of having to perform it for more than a few times live on stage.
The B-side 'Julius Caesar' was an original composition by drummer Richard Thomas and less "pop" but more "rock". I love the drums and bass on this one - too bad it didn't go on for longer as it lends itself to an extended instrumental solo somewhere in the middle.
Going now to the unreleased material, the first batch of which was recorded at Tetlow's Recording Studio in Birmingham at the end of 1967. The group-written 'Yours' was an early attempt of an original song but would have been difficult to dance to with its stops and shifting rhythm. A cover of the Gershwin classic 'Summertime' sounds much more accessible with plenty of Hammond organ powering it along.
'Toyland' from 1968 was an unusual one for the band as it was a cover of the Alan Bown version and according to Keith Abingdon, may not have ever been played live by the group. All these mentioned tracks appear on the CD EP that comes with the standard CD package.
As for the "Adventures Highway" album itself, this was assembled from a combination of unreleased-demos, BBC sessions, and surviving recordings from the results of various excursions into the studio by the group between 1967 and 1970. Side one kicks off with the high-energy group-composed 'Believe It' from 1970. You can just imagine the band going all out on this one with its high-energy blues-driven attack.
'Here Comes The End' from 1967 is a lot more psychedelic sounding with abundant echo effects but still very powerful. The bluesy cover of Willie Dixon's 'Spoonful' really gives an indication of what Breakthru were all about. Gary Aflalo's blues-harmonica playing on this one is exceptional against a backdrop of thundering hammond organ and distorted guitars. If you really hate your neighbours then this is the one to play loud!
'Love Is Strange' starts out with some crashing guitars/bass/drums highly reminiscent of The Beatles Rain. This one is supposedly based on the Everly Brother's version of the song and features both Gary Aflalo and Keith Abingdon doing a good job harmonizing on the vocals.
This is followed by the album's title track 'Adventures Highway' from 1968 and what a number it is too! Menacing hammond organ joined by pounding drums and guitar build into a climax of sheer volume that soon becomes a backdrop for spaced-out lyrics; Oh let's get transmitted, there's no planet that's too far. We'll see Jupiter and Mars, we'll see strange and weird sights on our space bound trip tonight... (make of it what you will).
The melodic and hypnotic 'I Have A Dream' composed by Geoff Garratley, reaches the height of social consciousness to include actual recorded excerpts from Martin Luther King's famous speech. Interestingly, this track was left off the vinyl version of the Breakthru album. Bob Booth's 'Growing Older' is similarly laid-back but does include some wild hammond fingering towards the end.
'Troubleshoot' co-written by Keith Abingdon and Richard Thomas is an excellent psychedelic rampage with lyrics to match. It has some great wah-wah guitar effects similar to what Roy Wood was doing at the time on many of The Move's records. We then go right into 'The Story Of Peer Gynt' with its opening riff taken directly from Hall Of The Mountain King (almost seems like a tradition amongst Brum bands to pay tribute to classical music at some time or another). This rocking track was considered for single release at the time but for some reason it never happened. A pity as it would surely have made a good follow up to Ice Cream Tree.
The remaining tracks on the album were recorded in 1970 at London's Piccadilly studios. Although the group were on the verge of splitting by this time, they recorded (ironically) what are regarded as some of their best tracks. 'Alice Dropped Out' from these sessions, would have made a fine single.
As one of several Breakthru tracks co-composed by Keith Abingdon and Richard Thomas, this one is a driving blues-rock number with guitars very much at the forefront and the trademark hammond absent. This would have been a powerful one when performed by the band live. It is followed on the album by 'Happiness' which shows the band could still be tuneful in a commercial direction when they wanted to. 'Shake Off That Lead' is another such radio-friendly track that bounces along with a catchy keyboard-driven melody.
The final track on the Breakthru album is titled 'Sailor Song'. A wonderfully harmonious partnership of keyboard and guitar, and as the title suggests, the lyrics tell of a seafaring character who would rather spend his life out on the ocean rather than be troubled by the problems experienced by those on land. Maybe it's meant as an expression of ultimate freedom (or freedom of expression) that seems to run through the groups music from start to finish on these collected tracks that make up the Breakthru album.
The Circle Records "Breakthru" album package serves as a fine tribute to one of the West Midlands great performing groups of the late 1960s. Breakthru were one of those bands who were at the leading edge of the pop music revolution at a time when innovation and the growth of new musical ideas was reaching its peak during the 1960s. 'Adventures Highway' fulfills a dream they had back then and this time you can join them on their journey. Highly reccommended!
Breakthru Personnel were:
♣ Keith (Smoke) Abingdon: guitar (still colleague and writing partner)
♣ Gary Aflalo: lead vocal (joined cast of ‘Hair’ in leading role 1970)
♣ Bob Booth: bass guitar (left in 1968, now photographer)
♣ Geoff (Gladys) Garratley: Hammond organ (left in 1968, now AV producer)
♣ Jim Leyland: drums (left in 1968)
♣ Frank Farrell: bass guitar (joined in 1968, now deceased, multi-talented Frank played bass for Supertramp later worked with Leo Sayer co-writing his no1 hit ‘Moonlighting’)
♣ Richard (Plug) Thomas: drums (joined in 1968)
♣ Bill Hunt: Hammond organ (joined in 1969, later joined first ELO line up and later Wizzard)
Album Disc:
01. Believe It (Farrell, Abingdon, Aflalo, Thomas) - 3:51
02. Here Comes The End (Aflalo, Abingdon) - 3:06
03. Spoonful (Dixon) - 5:05
04. Love Is Strange (Smith, Robinson, Baker) - 2:55
05. Adventures Highway (Abingdon, Booth, Garratley, Thomas) - 4:10
06. I Have A Dream (Garratley) - 4:35
07. Growing Older (Booth) - 3:43
08. Troubleshoot (Abingdon, Thomas) - 3:01
09. The Story Of Peer Gynt (Farrell) - 2:44
10. Alice Dropped Out (Abingdon, Thomas) - 2:52
11. Happiness (Farrell) - 4:28
12. Shake Off That Lead (Abingdon, Thomas) - 3:33
13. The Sailor Song (Abingdon, Thomas) - 4:32
EP:
01. Ice-Cream Tree (Loach) - 2:39
02. Julius Caesar (Thomas) - 2:49
03. Yours (Abingdon, Thomas, Leyland, Booth, Garratley, Aflalo) - 2:50
04. Summertime (Gershwin, Heyward) - 3:26
05. Toyland (Roden, Catchpole) - 2:52
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Never heard of these guys.It will be interesting to hear.Thanks.
ReplyDeleteno esta en ningun link este album
ReplyDeleteno esta disponible breakthru en ninguno de los link
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