Size: 375 MB Bitrate: 320 mp3 Found at Home Artwork Included The Dark Side of the Moon Live was a worldwide concert tour by Roger Waters. Waters and his band performed the title piece in its entirety at each show, beginning at the Rock in Rio festival on 2 June 2006. The tour featured elaborate stage design by Mark Fisher (the architect of Pink Floyd's The Wall shows), including giant puppets, large video screen displays and a 360° quadraphonic sound system. The performances were divided into two sets: the first being a collection of Pink Floyd material and songs from Roger's solo career, and the second The Dark Side of the Moon in its entirety, plus encores.
Pink Floyd's iconic pig has been used extensively during the Dark Side of the Moon tour, introduced on 6 September 2006, the opening night of the US leg, and since appearing at almost every venue. During the tour, the pig has often carried messages critical of the American government, Waters' socialist views, and the support of repressed Latin American populations, including indictments of discrimination and calls for the further prosecution of former dictators. A partial list of the pigs and messages featured at each show can be found at inflatable pigs on Roger Waters' tours. Waters retained much of the backing band from his 1999–2002 In the Flesh tours, including guitarists Snowy White and Andy Fairweather-Low, backing vocalists Katie Kissoon and P.P. Arnold, plus Graham Broad on drums. Guitarist Dave Kilminster, along with Waters and Jon Carin, sang much of the lead vocal parts performed by David Gilmour and Rick Wright on the original Pink Floyd recordings. Andrew Latimer, leader of the progressive rock group Camel auditioned to be lead guitarist and Gilmour's vocal replacement on the tour, but it was felt his voice could not reach the same high notes, although his guitar playing (often compared to Gilmour's) was exemplary.
Waters retained much of the backing band from his 1999–2002 In the Flesh tours, including guitarists Snowy White and Andy Fairweather-Low, backing vocalists Katie Kissoon and P.P. Arnold, plus Graham Broad on drums. Guitarist Dave Kilminster, along with Waters and Jon Carin, sang much of the lead vocal parts performed by David Gilmour and Rick Wright on the original Pink Floyd recordings. Andrew Latimer, leader of the progressive rock group Camel auditioned to be lead guitarist and Gilmour's vocal replacement on the tour, but it was felt his voice could not reach the same high notes, although his guitar playing (often compared to Gilmour's) was exemplary.
A small personnel change has been made due to two of the band members having already booked April and May 2008. Chester Kamen replaced Andy Fairweather-Low on guitars and backing vocals. Chester toured with Waters in 2002 during the third year of the In The Flesh tour, back then replacing Doyle Bramhall II. Kamen is the brother of pop singer Nick Kamen. Sylvia Mason-James replaced Katie Kissoon on backing vocals. Mason-James also toured with the Pet Shop Boys. These Roger Waters concerts were the first without Fairweather-Low since 1984, when he replaced Tim Renwick, and the first ever without Kissoon. LATE BIOGRAPHY: George Roger Waters (born 6 September 1943) is an English musician, singer, songwriter, multi-instrumentalist, and composer. In 1965, he co-founded the progressive rock band Pink Floyd with drummer Nick Mason, keyboardist Richard Wright and guitarist, singer and songwriter Syd Barrett. Waters initially served as the group's bassist and co-lead vocalist, but following the departure of Barrett in 1968, he also became their lyricist and conceptual leader.
Pink Floyd subsequently achieved international success with the concept albums The Dark Side of the Moon, Wish You Were Here, Animals, The Wall and The Final Cut. By the early 1980s, they had become one of the most critically acclaimed and best-selling acts in the history of popular music; as of 2013, they have sold more than 250 million albums worldwide, including 74.5 million units sold in the United States. Amid creative differences within the group, Waters left in 1985 and began a legal dispute with the remaining members over their intended use of the band's name and material. They settled out of court in 1987, and nearly eighteen years passed before he performed with them again. Waters' solo career has included three studio albums: The Pros and Cons of Hitch Hiking, Radio K.A.O.S. and Amused to Death. In 1990, he staged one of the largest and most extravagant rock concerts in history, The Wall – Live in Berlin, with an official attendance of 200,000. As a member of Pink Floyd, he was inducted into the US Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. That same year he released Ça Ira, an opera in three acts translated from Étienne and Nadine Roda-Gils' libretto about the French Revolution. Later that year, he reunited with Pink Floyd bandmates Mason, Wright and David Gilmour for the Live 8 global awareness event; it was the group's first appearance with Waters since 1981. He has toured extensively as a solo act since 1999 and played The Dark Side of the Moon in its entirety for his world tour of 2006–2008. In 2010, he began The Wall Live and in 2011 Gilmour and Mason appeared with him during a performance of the double album in London. As of 2013, the tour is the highest-grossing of all time by a solo artist.
Waters has been married four times; first in 1969 to his childhood sweetheart Judy Trim; they had no children together and divorced in 1975. The following year he married Lady Carolyne Christie; the marriage produced a son, Harry Waters, a musician who has played keyboards with his father's touring band since 2006, and a daughter, India Waters, who has worked as a model. Christie and Waters divorced in 1992, and in 1993, he married Priscilla Phillips. They had one son together, Jack Fletcher, before getting divorced in 2001. In 2012, Waters married actress and filmmaker Laurie Durning. In July 2005, Waters reunited with Mason, Wright, and Gilmour for what would be their final performance together at the 2005 Live 8 concert in London's Hyde Park, Pink Floyd's only appearance with Waters since their final performance of The Wall at Earls Court London 24 years earlier. They played a 23-minute set consisting of "Speak to Me/Breathe"/"Breathe (Reprise)", "Money", "Wish You Were Here", and "Comfortably Numb". Waters told the Associated Press that while the experience of playing with Pink Floyd again was positive, the chances of a bona fide reunion would be "slight" considering his and Gilmour's continuing musical and ideological differences. Though Waters had differing ideas about which songs they should play, he "agreed to roll over for one night only", Gilmour told the Associated Press, "The rehearsals convinced me it wasn't something I wanted to be doing a lot of. There have been all sorts of farewell moments in people's lives and careers which they have then rescinded, but I think I can fairly categorically say that there won't be a tour or an album again that I take part in. It isn't to do with animosity or anything like that. It's just that ... I've been there, I've done it." In November 2005, Pink Floyd were inducted into the UK Music Hall of Fame by Pete Townshend of the Who.
In September 2005, Waters released Ça Ira (pronounced [sa iˈʁa], French for "it will be fine"; Waters added the subtitle, "There is Hope"), an opera in three acts translated from the late Étienne Roda-Gil's French libretto based on the historical subject of the French Revolution. Ça Ira was released as a double CD album, featuring baritone Bryn Terfel, soprano Ying Huang and tenor Paul Groves. Set during the early French Revolution, the original libretto was co-written in French by Roda-Gil and his wife Nadine Delahaye. Waters had begun rewriting the libretto in English in 1989, and said about the composition: "I've always been a big fan of Beethoven's choral music, Berlioz and Borodin ... This is unashamedly romantic and resides in that early 19th-century tradition, because that's where my tastes lie in classical and choral music." Waters appeared on television to discuss the opera, but the interviews often focused instead on his relationship with Pink Floyd, something Waters would "take in stride", a sign Pink Floyd biographer Mark Blake believes to be, "a testament to his mellower old age or twenty years of dedicated psychotherapy". Ça Ira reached number 5 on the Billboard Classical Music Chart in the United States.
In June 2006, Waters commenced The Dark Side of the Moon Live tour, a two-year, world-spanning effort that began in Europe in June and North America in September. The first half of the show featured both Pink Floyd songs and Waters' solo material, while the second half included a complete live performance of the 1973 Pink Floyd album The Dark Side of the Moon, the first time in over three decades that Waters had performed the album. The shows ended with an encore from the third side of The Wall. He utilised elaborate staging by concert lighting designer Marc Brickman complete with laser lights, fog machines, pyrotechnics, psychedelic projections, and inflatable floating puppets (Spaceman and Pig) controlled by a "handler" dressed as a butcher, and a full 360-degree quadraphonic sound system was used. Nick Mason joined Waters for The Dark Side of the Moon set and the encores on select 2006 tour dates. Waters continued touring in January 2007 in Australia and New Zealand, then Asia, Europe, South America, and back to North America in June. In March 2007, the Waters song, "Hello (I Love You)" was featured in the science fiction film The Last Mimzy. The song plays over the film's end credits. He released it as a single, on CD and via download, and described it as, "a song that captures the themes of the movie, the clash between humanity's best and worst instincts, and how a child's innocence can win the day". He performed at California's Coachella Festival in April 2008 and was to be among the headlining artists performing at Live Earth 2008 in Mumbai, India in December 2008, but that concert was cancelled in light of the 26 November terrorist attacks in Mumbai.
Waters confirmed the possibility of an upcoming solo album which "might be called" Heartland, and has said he has numerous songs written (some already recorded) that he intends to release when they are a complete album. In June 2010, Waters released a cover of "We Shall Overcome", a protest song rewritten and arranged by Guy Carawan and Pete Seeger at the Highlander Folk School possibly derived either from the refrain of a gospel hymn published by Charles Albert Tindley in 1901, but more likely from Louise Shropshire's hymn, "If My Jesus Wills." He performed with David Gilmour at the Hoping Foundation Benefit Evening in July 2010. The four-song set included: "To Know Him Is to Love Him", which was played in early Pink Floyd sound checks, followed by "Wish You Were Here", "Comfortably Numb", and "Another Brick in the Wall (Part Two)". In September 2010, Waters commenced The Wall Live tour, an updated version of the original Pink Floyd shows, featuring a complete performance of The Wall. According to Cole Moreton of the Daily Mail, "The touring version of Pink Floyd's The Wall is one of the most ambitious and complex rock shows ever ...", and it is estimated that the tour cost £37 million to stage. Waters told the Associated Press that The Wall Tour will likely be his last, stating: "I'm not as young as I used to be. I'm not like B.B. King, or Muddy Waters. I'm not a great vocalist or a great instrumentalist or whatever, but I still have the fire in my belly, and I have something to say. I have a swan song in me and I think this will probably be it." At The O2 Arena in London on 12 May 2011, Gilmour and Mason once again appeared with Waters and Gilmour performing "Comfortably Numb", and Gilmour and Mason joining Waters for "Outside the Wall". For the first half of 2012, Waters' tour topped worldwide concert ticket sales having sold more than 1.4 million tickets globally. As of 2013, The Wall Live is the highest-grossing tour of all time by a solo artist. Waters performed at the Concert for Sandy Relief at Madison Square Garden on 12 December 2012. Waters' primary instrument in Pink Floyd was the electric bass guitar. He briefly played a Höfner bass but replaced it with a Rickenbacker RM-1999/4001S, until 1970 when it was stolen along with the rest of the band's equipment in New Orleans. He began using Fender Precision Basses in 1968, originally alongside the Rickenbacker, and then exclusively after the Rickenbacker was lost in 1970. First seen at a concert in Hyde Park, London in July 1970, the black P-Bass was rarely used until April 1972 when it became his main stage guitar and as of 2 October 2010, the basis for a Fender Artist Signature model. Waters endorses RotoSound Jazz Bass 77 flat-wound strings. Throughout his career he has used Selmer, WEM, Hiwatt and Ashdown amplifiers but has used Ampeg for the last few tours, also employing delay, tremolo, chorus, stereo panning and phaser effects in his bass playing. Waters experimented with the EMS Synthi A and VCS 3 synthesisers on Pink Floyd pieces such as "On the Run", "Welcome to the Machine", and "In the Flesh?" He played electric and acoustic guitar on Pink Floyd tracks using Fender, Martin, Ovation and Washburn guitars. He played electric guitar on the Pink Floyd song "Sheep", from Animals, and acoustic guitar on several Pink Floyd recordings, such as "Pigs on the Wing 1 & 2", also from Animals, "Southampton Dock" from The Final Cut, and on "Mother" from The Wall. A Binson Echorec 2 echo effect was used on his bass-guitar lead track "One of These Days". Waters plays clarinet during concert performances of "Outside the Wall". Roger Waters - Dark Side Of The Moon World Tour Estadio Nacional, Santiago de Chile 2007-03-14 Pre FM Personnel: Roger Waters Jon Carin P.P. Arnold Graham Broad Andy Fairweather Low Carol Kenyon Dave Kilminster Katie Kissoon Ian Ritchie Harry Waters Snowy White Disc 1 01. In The Flesh 02. Mother 03. Set The Controls for The Heart of The Sun 04. Shine on You Crazy Diamond 05. Have a Cigar 06. Wish You Were Here 07. Southampton Dock 08. The Fletcher Memorial Home 09. Perfect Sense (part I) 10. Perfect Sense (part II) 11. Leaving Beirut 12. Sheep Disc 2 01. Speak to me - Breathe 02. On the Run 03. Time - Breathe (reprise) 04. The Great Gig in the Sky 05. Money 06. Us and Them 07. Any Colour You Like 08. Brain Damage 09. Eclipse 10. The Happiest Days of Our Lives - Another Brick in The Wall (Part 2) 11. Vera - Bring The Boys Back Home 12. Comfortably Numb
Size: 27.7 MB Bitrate: 320 mp3 Found in OuterSpace Some Artwork In 1967 McVie learned that her ex-band mates, Andy Silvester and Stan Webb, were forming a blues band, Chicken Shack, and were looking for a pianist. She wrote to them asking to join, and they invited her to play keyboards/piano and to sing background vocals. Chicken Shack's debut release was "It's Okay With Me Baby", written by and featuring McVie.
She stayed with Chicken Shack for two albums, during which her genuine feel for the blues became evident, not only in her Sonny Thompson-style piano playing, but through her authentic "bluesy" voice. Chicken Shack had a hit with "I'd Rather Go Blind", which featured McVie on lead vocals. Perfect received a Melody Maker award for female vocalist in both 1969 and 1970. McVie left Chicken Shack in 1969 after marrying Fleetwood Mac bassist John McVie a year earlier. Christine Perfect is the debut solo album of former Chicken Shack keyboardist/singer Christine McVie née Perfect. The album was released just after Perfect had left Chicken Shack, but before she joined Fleetwood Mac. It contained the Etta James song, "I'd Rather Go Blind", which had earlier been a hit single for Chicken Shack. Originally released in 1970. Christine Anne Perfect (born 12 July 1943), professionally known as Christine McVie, is an English singer-songwriter and keyboardist. Her fame came as a member of rock band Fleetwood Mac, joining the band in 1970 while married to bassist John McVie. Eight songs she had written and sung are on the band's Greatest Hits album, including "Don't Stop", "Little Lies", "Everywhere", "Over My Head", and "You Make Loving Fun". She has also released three solo albums. AllMusic critic Steve Leggett noted McVie's "naturally smoky low alto vocal style", describing her as an "Unabashedly easy-on-the-ears singer/songwriter, and the prime mover behind some of Fleetwood Mac's biggest hits." In 1998, as a member of Fleetwood Mac, McVie was inducted into the Rock and Roll Hall of Fame and received the Brit Award for Outstanding Contribution to Music. Since retiring from the band, she has worked on solo material in her converted barn at her home in Wickhambreaux in Kent. McVie appeared on stage with Fleetwood Mac at London's O2 Arena in September 2013, and rejoined the band in January 2014. Her first full shows since her return came during Fleetwood Mac's On with the Show tour in October 2014. In 2014 she received the British Academy's Ivor Novello Award for Lifetime Achievement. Christine Perfect with Chicken Shack 1968-xx-xx BBC Studios, London, England Only known live recordings of Christine with Chicken Shack 01. When the Train Leaves Home 01:21 02. Love Me or Leave Me 03:33 03. Mean Old World - with Duster Bennett 04:28 04. It's OK with Me Baby 02:48
Size: 413 MB Bitrate: 320 mp3 Found at... Some Artwork Everybody knows about Jerry's Kids--the young victims of muscular dystrophy for whom Jerry Lewis raises money during his annual telethons. Say hello to pop music's counterparts: Graham's Kids. These are the youngsters who go to bed hungry or malnourished in North, Central and South America, the kids for whom Graham Nash and a bunch of his friends raised about $100,000 during a nationwide radio broadcast on Saturday afternoon. Officially titled "Graham Nash's Children of the Americas Radiothon," the event consisted of a live broadcast of concert performances from the Palace in Hollywood and the United Nations building in New York City. The four-hour program was broadcast on KLSX-FM in Los Angeles and about 65 stations around the country, said Richard Linnell, the show's executive producer. While the day's lineup included Jackson Browne, Randy Newman and Midnight Oil (the last two from New York), the main attraction was the appearance by Crosby, Stills, Nash & Young--their first performance since recording their first studio album in almost two decades, the just-released "American Dream." The re-teaming of the four, whose work together in the early '70s has been heralded as among rock's most creative collaborations, marks the end of the obstacles that kept Neil Young from participating with his former partners, who had continued working together in various configurations. The quartet's seven-song, 45-minute set at the Palace included four tunes from "American Dream," plus the chestnuts "Love the One You're With," "Southern Cross" and "Long Time Gone." The crowd reaction at the Palace to the group's familiar harmonies was overwhelming. In radio-land, though, the audience was falling short of expectations. When the CSN&Y set ended, listener pledges totaled $89,650, short of the $100,000 the organizers were hoping to raise. So as soon as they finished performing a drastically revamped version of "My Country 'Tis of Thee" with John David Souther and (on tape) acoustic guitarist Michael Hedges, Graham Nash and David Crosby said they'd make up the shortfall by giving $5,000 each. The show had many of the earmarks of traditional telethons: appeals from celebrities (George Harrison, Tom Petty), a toll-free number for viewer contributions (1-800-FOR-KIDS), pledges from entertainment industry heavies ($10,000 from Bruce Springsteen, $5,000 each from Rod Stewart and Atlantic Records) and needy beneficiaries (World Hunger Year and UNICEF). But while Nash says he wants to be known for helping these children, he doesn't like the idea that the event--which is in its second year--is billed with his name up front. " 'Graham Nash's Children of the Americas' is just too pompous for me," Nash said backstage at the Palace. "I understand why they want to bill it that way, but it makes me very uncomfortable, and I think I'll change it next year. It should just be the 'Children of the Americas Radiothon, with your host Graham Nash.' " A longtime activist for liberal, environmental and humanist causes, Nash got involved in an annual hunger-themed radiothon by New York radio station WNEW-FM, and decided it had the potential to be a nationwide effort to help starving children throughout the Americas. "When all's said and done, we're going to be gone a lot sooner than our kids are," he said. "We're going to leave this planet to them. I hope it can sustain them, I hope it will make them flourish instead of being blown apart in a nuclear holocaust, I hope that AIDS doesn't totally screw up the planet. . . . "I hope for a lot of things, but I know that I'll be gone and they'll still be here. They are our future, and I can't put my energy any better place than this." And what about Crosby, Stills, Nash & Young? They've said they don't plan to tour together, but with the new album, the radiothon success and another appearance due soon at a benefit show in Oakland, might they change their minds? "I don't know, I truly don't know," Nash said. "I don't think any of us do. We're reeling under the realization that we've made what we consider to be a great record. So we'll sit back, see what happens . . . get Christmas under our belts and look at the new year. Then we'll figure out what we're going to do." Nash said that Young wants to make another CSN&Y album before considering a tour, but he added with a laugh: "We've already got 25 years of music to draw on. . . . We could do a hell of a show." The Second Annual Children of The Americas Radiothon w/ Randy Newman, Jackson Browne, Sangre Machehual, Fabulous Thunderbirds, Pat Benetar, Boston, Al Stewart, Midnight Oil and Crosby, Stills, Nash and Young, Live from 2 coasts: West Coast - The Palace Theatre in Hollywood, California East Coast - The Lobby of the United Nations Building in New York City Disc1 01. Introduction to Concert MC (Graham Nash) MC (Pete Fornatale) and Bill Ayers Graham Nash 02. Teach Your Children (some applause added between 5:42 to 5:51 of disc 1-to smooth out the transition) 03. MC (Graham Nash), MC (Pete Fornatale) Randy Newman 04. I Love L.A. 05. Dixie Flyer 06. Sail Away 07. Political Science 08. Short People 09. I Want You To Hurt Like I Do 10. MC (Pete Fornatale) David Crosby Introduces.. Jackson Browne and Graham Nash 11. Crow On The Cradle 12. David Crosby talks about the CONCERT FOR THE CHILDREN OF THE AMERICAS benefit and introduces.... Jackson Browne with Sangre Machehual 13. Lives In The Balance (w/ David Crosby and Graham Nash) 14. My Personal Revenge 15. Fruita Almarga (Bitter Fruit) 16. Lene' Verde 17. MC (Pete Fornatale) Paul Barrere and Billy Pain promo Jackson Browne, Graham Nash & David Crosby 18. Rock Me On The Water 19. George Harrison calls Graham Nash for the telethon Disc 2 01. MC (Pete Fornatale) Fabulous Thunderbirds 02. Powerful Stuff 03. Look At That, Look At That 04. She's Tough 05. Paul Kantner telethon promo Mark Knofler telethon promo MC (Pete Fornatale) introduces Pierre Robaire who re-introduces the ... Fabulious Thunderbirds promo for telethon 06. Wrap It Up 07. MC (Pete Fornatale) Discussion on the Purpose and Funding Of The Charity A short trip to Boston and WBCN-FM Rodney J. Rodney J. introduction to... Pat Benetar 08. All Fired Up 09. Run Between The Raindrops 10. Let's Stay Together promo for telethon MC (Graham Nash) 11. Tom Shultz promo for telethon Boston (Live song prepared for this broadcast) 12. To Be A Man 13. MC (Graham Nash) A conversation with Harry Chapin (previously taped) MC (Graham Nash) talk with Bill Ayers and others Al Stewart 14. Antarctica (technical issue at start of song) 15. Princess Olivia 16. The Year Of The Cat 17. Graham Nash telethon promo and introduction to... Midnight Oil 18. Wealth Is Virtue 19. The Dead Heart Disc 3 01. MC (Graham Nash) Crosby, Stills, Nash and Young 02. This Old House 03. Love The One You're With 04. telethon promo 05. In the Name of Love (end is clipped and faded to remove MC talking over the last notes) 06. snip of the crowd singing Happy Birthday to Neil. MC (Graham Nash) MC (Pete Fornatale) Crosby, Stills, Nash and Young 07. Tracks in the Dust 08. Don’t Say Goodbye (w/ Craig Doerge on Keyboards and Steve Lawrence on Saxophone) 09. Southern Cross 10. Long Time Gone 11. MC (Pete Fornatale) Graham Nash, David Crosby, John David Souther and Michael Hedges 12. My Country ‘tis of Thee 13. MC (Graham Nash) MC (Pete Fornatale) technical and support closing credits
Size: 99 MB Bitrate: 320 mp3 Found by: ChrisGoesRock Some Artwork Included These are vintage radio broadcast transcription discs (at times you can “hear” the vinyl which adds flavor). The sound quality is amazing. Country Style USA is from 1958, Guest Star is from 1959. That’s all the info I have. I received these many years ago in a trade and transferred them from cassette. This is as good as it gets. Country Style USA was a radio program syndicated by the US Army Band and Recruiting Services and broadcast as a recruiting tool for them. Produced by the U.S. Treasury Department in the 1940s and 1950s as a public service program, Guest Star features a different often top-name "guest star" (singer, actor, comedian) each week to promote the sales of savings bondsprevioulsy circulated with incorrect dates of 1958 & 1959.
Some Biography: John R. "Johnny" Cash (February 26, 1932 – September 12, 2003) was a singer-songwriter, actor, and author, widely considered one of the most influential American musicians of the 20th century. Although primarily remembered as a country music icon, his genre-spanning songs and sound embraced rock and roll, rockabilly, blues, folk, and gospel. This crossover appeal won Cash the rare honor of multiple induction in the Country Music, Rock and Roll, and Gospel Music Halls of Fame. Cash was known for his deep bass-baritone voice, the distinctive sound of his Tennessee Three backing band, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and trademark look, which earned him the nickname "The Man in Black". He traditionally began his concerts with the simple "Hello, I'm Johnny Cash.", followed by his signature "Folsom Prison Blues". Much of Cash's music echoed themes of sorrow, moral tribulation and redemption, especially in the later stages of his career. His best-known songs included "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Get Rhythm" and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson"; and railroad songs including "Hey, Porter" and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, most notably "Hurt" by Nine Inch Nails.
In 1954, Cash and Vivian moved to Memphis, Tennessee, where he sold appliances while studying to be a radio announcer. At night he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him that he didn't record gospel music any longer. It was once rumored that Phillips told Cash to "go home and sin, then come back with a song I can sell", although in a 2002 interview Cash denied that Phillips made any such comment. Cash eventually won over the producer with new songs delivered in his early rockabilly style. In 1955, Cash made his first recordings at Sun, "Hey Porter" and "Cry! Cry! Cry!", which were released in late June and met with success on the country hit parade. On December 4, 1956, Elvis Presley dropped in on Phillips while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have since been released under the title Million Dollar Quartet. In Cash: the Autobiography, Cash wrote that he was the one farthest from the microphone and was singing in a higher pitch to blend in with Elvis. Cash's next record, "Folsom Prison Blues", made the country Top 5, and "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label partly due to the fact that Phillips wasn't keen on Johnny recording gospel, and he was only getting a 3% royalty as opposed to the standard rate of 5%. Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Lewis. The following year Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" became one of his biggest hits. Early in his career, fellow artists teasingly nicknamed him The Undertaker because of his preference for black clothes - which he wore primarily because they were easier to keep looking clean on long tours. In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June, and Helen. June later recalled admiring him from afar during these tours. In the 1960s he appeared on Pete Seeger's short-lived television series Rainbow Quest. He also acted in and wrote and sang the opening theme for the 1961 film Five Minutes to Live, later re-released as Door-to-door Maniac. * Luther Perkins: Lead Guitar * Marshall Grant: Upright Bass 1956-11-12 Country Style USA Radio 01. Country Style USA Intro 02. Hey Porter 03. I Walk The Line 04. “Join The Reserve For Youth Training Program” spot 05. Rock Island Line (Johnny says they haven’t recorded it yet) 06. So Doggone Lonesome 07. Country Style USA Outro 1956-XX-XX Country Style USA Radio 08. Country Style USA Intro 09. Folsom Prison Blues 10. Cry Cry Cry 11. “Reserve For Youth Training Program” spot 12. I Was There When It Happened 13. Get Rhythm (“Our latest release on Sun”)* 14. Country Style USA Outro 1959-06-28 Guest Star 15. Guest Star Intro 16. Country Boy 17. Chat w/ Johnny 18. Don’t Take Your Guns To Town 19. Johnny Cash “Buy Savings Bonds” spot 20. Swing Low, Sweet Chariot 21. Guest Star Outro
Size: 135 MB Bitrate: 320 mp3 Found in OuterSpace Some Artwork John "Johnny 'Guitar'" Watson, Jr. (February 3, 1935 – May 17, 1996) was an American blues, soul, and funk musician and singer-songwriter. A flamboyant showman and electric guitarist in the style of T-Bone Walker, Watson recorded throughout the 1950s and 1960s with some success. His creative reinvention in the 1970s with disco and funk overtones, saw Watson have hits with "Ain't That a Bitch", "I Need It" and "Superman Lover". His successful recording career spanned forty years, with his highest chart appearance being the 1977 song "A Real Mother For Ya".
Watson was born in Houston, Texas. His father John Sr. was a pianist, and taught his son the instrument. But young Watson was immediately attracted to the sound of the guitar, in particular the electric guitar as played by T-Bone Walker and Clarence "Gatemouth" Brown. His grandfather, a preacher, was also musical. "My grandfather used to sing while he'd play guitar in church, man," Watson reflected many years later. When Johnny was 11, his grandfather offered to give him a guitar if, and only if, the boy didn't play any of the "devil's music". Watson agreed, but "that was the first thing I did." A musical prodigy, Watson played with Texas bluesmen Albert Collins and Johnny Copeland. His parents separated in 1950, when he was 15. His mother moved to Los Angeles, and took Watson with her. In his new city, Watson won several local talent shows. This led to his employment, while still a teenager, with jump blues-style bands such as Chuck Higgins's Mellotones and Amos Milburn. He worked as a vocalist, pianist, and guitarist. He quickly made a name for himself in the African-American juke joints of the West Coast, where he first recorded for Federal Records in 1952. He was billed as Young John Watson until 1954. That year, he saw the Joan Crawford film Johnny Guitar, and a new stage name was born.
Watson affected a swaggering, yet humorous personality, indulging a taste for flashy clothes and wild showmanship on stage. His "attacking" style of playing, without a plectrum, resulted in him often needing to change the strings on his guitar once or twice a show, because he "stressified on them" so much, as he put it. Watson's ferocious "Space Guitar" album of 1954 pioneered guitar feedback and reverb. Watson would later influence a subsequent generation of guitarists. His song "Gangster of Love" was first released on Keen Records in 1957. It did not appear in the charts at the time, but was later re-recorded and became a hit in 1978, becoming Watson's "most famous song". He toured and recorded with his friend Larry Williams, as well as Little Richard, Don and Dewey, The Olympics, Johnny Otis and, in the mid-1970s with David Axelrod. In 1975 he is a guest performer on two tracks (flambe vocals on the out-choruses of "San Ber'dino" and "Andy") on the Frank Zappa album One Size Fits All. He also played with Sam Cooke, Herb Alpert and George Duke. But as the popularity of blues declined and the era of soul music dawned in the 1960s, Watson transformed himself from southern blues singer with pompadour into urban soul singer in a pimp hat. His new style was emphatic - the gold teeth, broad-brimmed hats, flashy suits, fashionable outsized sunglasses and ostentatious jewelry made him one of the most colorful figures in the West Coast funk scene.
He modified his music accordingly. His albums Ain't That a Bitch (from which the successful singles "Superman Lover" and "I Need It" were taken) and Real Mother For Ya were landmark recordings of 1970s funk "Telephone Bill", from the 1980 album Love Jones, featured Watson rapping. The shooting death of his friend Larry Williams in 1980 and other personal setbacks led to Watson briefly withdrawing from the spotlight in the 1980s. "I got caught up with the wrong people doing the wrong things", he was quoted as saying by the New York Times. The release of his album Bow Wow in 1994 brought Watson more visibility and chart success than he had ever known. The album received a Grammy Award nomination. In a 1994 interview with David Ritz for liner notes to The Funk Anthology, Watson was asked if his 1980 song "Telephone Bill" anticipated rap music. "Anticipated?" Watson replied. "I damn well invented it!... And I wasn't the only one. Talking rhyming lyrics to a groove is something you'd hear in the clubs everywhere from Macon to Memphis. Man, talking has always been the name of the game. When I sing, I'm talking in melody. When I play, I'm talking with my guitar. I may be talking trash, baby, but I'm talking".
In 1995, he was given a Pioneer Award from the Rhythm & Blues Foundation in a presentation and performance ceremony at the Hollywood Palladium. In February 1995, Watson was interviewed by Tomcat Mahoney for his Brooklyn, New York-based blues radio show The Other Half. Watson discussed at length his influences and those he had influenced, referencing Guitar Slim, Jimi Hendrix, Frank Zappa and Stevie Ray Vaughan. He made a special guest appearance on Bo Diddley's 1996 album A Man Amongst Men, playing vocoder on the track "I Can't Stand It" and singing on the track "Bo Diddley Is Crazy". His music was sampled by Redman (who based his "Sooperman Luva" saga on Watson's "Superman Lover" song), Ice Cube, Eazy-E, Snoop Dogg, Dr. Dre, Jay-Z, and Mary J. Blige. Snoop Dogg and Dr. Dre borrowed P-Funk's adaptation of Watson's catchphrase "Bow Wow Wow yippi-yo yippi-yay" for Snoop's hit "What's My Name". "Johnny was always aware of what was going on around him", recalled Susan Maier Watson (later to become the musician's wife) in an interview printed in the liner notes to the album The Very Best of Johnny 'Guitar' Watson. "He was proud that he could change with the times and not get stuck in the past".
Watson died of a myocardial infarction on May 17, 1996, collapsing on stage while on tour in Yokohama, Japan. His remains were brought home for interment at Forest Lawn Memorial Park Cemetery in Glendale, California. Watson, a recognized master of the Fender Stratocaster guitar, has been compared to Jimi Hendrix and allegedly became irritated when asked about this comparison, supposedly stating: "I used to play the guitar standing on my hands. I had a 150-foot cord and I could get on top of the auditorium – those things Jimi Hendrix was doing, I started that shit."
Frank Zappa stated that "Watson's 1956 song 'Three Hours Past Midnight' inspired me to become a guitarist". Watson contributed to Zappa's albums One Size Fits All (1975), Them or Us (1984), Thing-Fish (1984) and Frank Zappa Meets the Mothers of Prevention (1985). Zappa also named "Three Hours Past Midnight" his favorite record in a 1979 interview.
Steve Miller not only did a cover of "Gangster of Love" on his 1968 album Sailor (substituting "Is your name "Stevie 'Guitar' Miller?" for the same line with Watson's name), he made a reference to it in his 1969 song "Space Cowboy" ("And you know that I'm a gangster of love") as well as in his 1973 hit song "The Joker" ("Some call me the gangster of love"). Miller had also borrowed the sobriquet for his own "The Gangster Is Back", on his 1971 album Rock Love. Jimmie Vaughan, brother of Stevie Ray Vaughan, is quoted as saying: "When my brother Stevie and I were growing up in Dallas, we idolized very few guitarists. We were highly selective and highly critical. Johnny 'Guitar' Watson was at the top of the list, along with Freddie, Albert and B.B. King. He made magic." Johnny Guitar Watson December 8 1976 Le Bataclan, Paris, France FM Broadcast 01. I Don't Want To Be A Lone Ranger 02. Superman Lover 03. Cuttin' In 04. Gangster of Love, Baby What You Want Me To Do, Gangster of Love 05. Ain't That A Bitch 06. Everyday I Have The Blues 07. Stormy Monday 08. blues intrumental 09. Instrumental 10. Everyday I Have The Blues (1975 piano solo version)
Size: 68.6 MB Bitrate: 256 mp3 Ripped by: ChrisGoesRock Artwork Included Source: 24-Bit Remaster The Yellow Payges were an American rock band, led by singer Dan Hortter, who were formed in Los Angeles, California in 1966. Although their commercial success was limited, they toured widely and recorded ten singles and an LP before splitting up in 1970. The band was formed by singer Dan Hortter in Los Angeles in April 1966. Hortter had been a member of a Torrance-based surf rock band, the Driftones, who had just split up. At a performance by his friends in another band, the Palace Guard (whose drummer was Emitt Rhodes), at the Hullabaloo club in Hollywood, he joined the group onstage to play harmonica and sing "I'm a Man".
His performance so impressed club owner Gary Bookasta that he invited Hortter to bring his own band to support The Newbeats two weeks later. Hortter recruited guitarists John Knox and Larry Tyre, bassist Herby Ratzloff, and drummer Terry Rae (formerly of the Driftones) to play the gig. Rae was then replaced by Dan Gorman, and the group changed its name to become The Yellow Payges. They began playing regularly at the Hullabaloo, and Bookasta became their manager. There were further personnel changes. Knox and Tyre left and were replaced by Bob Norsoph and Randy Carlisle; and Mike Rummans replaced Ratzloff. When Norsoph and Carlisle themselves left, Rummans moved to guitar and Jim Lanham came in on bass; he was soon replaced in turn by Teddy Rooney, the son of actor Mickey Rooney.
In 1967, the group released their debut single, "Never See the Good in Me" on the Showplace label, a subsidiary of Cameo-Parkway Records. Its local success, together with that of follow-up "Jezebel", resulted in the band signing with Uni Records. They released the single "Our Time Is Running Out", and the group toured the US as part of Dick Clark's Happening '67 package tour of 45 cities in 45 days. Rummans and Rooney left the band in mid-1968, and were replaced by Bill Ham and Bob Barnes, both from Fort Worth, Texas. Rummans formed a new group, Salt and Pepper, with Rick James, Greg Reeves, and others. The Yellow Payges - now comprising Hortter (lead vocals, harmonica), Ham (lead guitar), Barnes (bass) and Gorman (drums) - continued to release singles, and played the Hollywood Bowl as support to Eric Burdon and the Animals, the Rascals and Tommy James and the Shondells. They also toured for several months as support for The Animals before undertaking a similar role opening for The Beach Boys.
Other bands with whom the group shared a stage included Buffalo Springfield, the Doors, Pink Floyd, the Byrds, the Grateful Dead, and Jefferson Airplane. The Yellow Payges recorded the LP Vol. 1, released by UNI in mid-1969, and issued several singles including one of their best remembered songs, "Vanilla on My Mind", and a remake of "I'm a Man" which narrowly failed to reach the Billboard Hot 100. They also appeared on numerous regional television shows across the US, and on American Bandstand. Donnie Dacus briefly replaced Ham on lead guitar in 1969. The group were then hired to appear in a series of commercials for AT&T's Yellow Pages, which, according to writer Jason Ankeny at Allmusic, "effectively destroy[ed] their credibility and their momentum". According to Hortter, "We were put in these hideous yellow satin ruffled shirts with black velvet pants, and did these ridiculous commercials. It pretty much destroyed everything we worked so hard to accomplish." The group broke up in late 1970, during the recording of their second LP. Garage rockers the Yellow Payges formed in Torrance, California in the fall of 1965 -- while attending a performance by friends the Palace Guard at the Hollywood club the Hullabaloo, vocalist Dan Hortter took the stage to sing a rendition of "I'm a Man," so impressive that club owner Gary Bookasta hired Hortter's own band to back the Newbeats two weeks later.
The problem was, Hortter's previous band, the Driftones, had dissolved months earlier, but he quickly assembled a new Driftones' lineup including guitarists John Knox and Larry Tyre, bassist Herby Ratzloff, and drummer Terry Rae, also a member of the Palace Guard. Rae resigned almost immediately after the Newbeats gig, with drummer Dan Gorman signing on in time for the group to change its name to the Yellow Payges. They were soon playing the Hullabaloo on a steady basis, with Bookasta signing on as manager -- in 1966, Knox, Tyre, and Ratzloff exited, with guitarists Bob Norsoph and Randy Carlisle, and bassist Mike Rummans signing on in their stead. When Norsoph and Carlisle quit soon after, Rummans moved to guitar, with Jim Lanham briefly assuming bass duties prior to the addition of bassist Teddy Rooney, son of Hollywood legend Mickey Rooney. In 1967, this Yellow Payges lineup issued their debut single, the Showplace label effort "Never See the Good in Me" -- "Jezebel" followed later that year, and both records generated enough local buzz to earn the band a contract with major label UNI. In addition to releasing their label debut "Our Time Is Running Out," in late 1967, the Yellow Payges closed out the year as part of Dick Clark's Happening '67, a package tour which traveled to 45 U.S. cities in 45 days. In mid-'68, both Rummans and Rooney exited, with Hortter and Gorman quickly recruiting guitarists Bill Ham and Bob Barnes, both products of Fort Worth, Texas (a geographic quirk resulting in some confusion as to the band's actual hometown).
On August 16, the Yellow Payges played their biggest-ever show, appearing at the Hollywood Bowl on a bill headlined by the Animals, the Rascals and Tommy James & the Shondells; they spent much of the year to follow supporting their singles "Childhood Friends" and "Crowd Pleaser" on tour with the Animals, later spending six months opening for the Beach Boys. The band's debut LP, Vol. 1, appeared on UNI in mid-'69, generating the singles "Never Put Away My Love for You," and "Vanilla on My Mind"; "Follow the Bouncing Ball" appeared in 1970, and their cover of the warhorse "I'm a Man" (a nod to Hortter's big break) fell just two slots shy of cracking the Billboard Hot 100.
Somewhat ironically, it was a campaign with AT&T that spelled the Yellow Payges' demise: hired by Wall Street advertising firm Cunningham & Walsh as part of a phone company-sponsored campaign designed to appeal to young audiences, the band was forced to appear in commercials in yellow satin ruffled shirts, effectively destroying their credibility and their momentum. After one final single, "Moonfire," the Yellow Payges dissolved in late 1970 -- Barnes later backed Kinky Friedman under the alias Roscoe West, and also collaborated with T-Bone Burnett. 01. The Two Of Us 02:50 02. Little Women 02:45 03. Friends 03:30 04. Boogie Woogie Baby 02:10 05. Crowd Pleaser 02:30 06. Moonfire 01:50 07. Devil Woman 03:00 08. Never Put Away My Love For You 02:20 09. I'm A Man / Here 'Tis 08:45