Monday, April 02, 2018

Bullet Proof Lovers - Shot Through The Heart (Power Rock/Punk US 2017)

Size: 88 MB
Bitrate: 320
Ripped by: ChrisGoesRock
Artwork Included

In 2015, singer songwriter and power pop champion Kurt Baker capitalised on his escalating popularity in Europe by teaming up with a bunch of Spanish garage rock and bar band heroes…and LINK: Bullet Proof Lovers was born. Not so much out of necessity, but from fun, and the resulting mini-album (which had a belated US release in 2016) saw Baker tackling some of his punkiest tendencies since his days with The Leftovers.

The Lovers’ proper first album very much picks up where that mini-album left off and there’s no hiding Bullet Proof Lovers’ key interests. “I was born in the gutter…with an electrified fever” spits Baker during the first verse of ‘Ain’t No Joke’, a track that gets across the band’s desire for making their audiences sweat. This fusion of pop-punk and garage rock results in a near-perfect couple of minutes – an ideal up to anything from the previous recording. Baker’s gift for hooks is at the forefront and given the faster backdrop than his solo career so often affords, his performance bristles with life. 

He’s almost left in the dust by guitarists Luiyi Costa and Juan Irazu, though, whose two man guitar assault combines sharp riffing with a greasy punk ‘n’ roll solo that really cuts through the main melody. The rather self-explanatory ‘All I Wanna Do’ melds a Spinal Tap theory of having “a good time all the time” to more punky finery, without losing too much of that rock ‘n’ roll spirit, while ‘I’m Your Toy’ delivers more of the same on the surface, though without sounding too much like a retread. 

The power pop feel of Baker’s solo work is a touch more to the fore and perhaps a little more than on those other tracks, gives an indication of how this full-length has just a touch more variety than you’d perhaps expect. In terms of chorus, this is an album highlight, while musically, the band shows off both speed and panache, with a love of The Knack and Johnny Thunders in equal measure. The addition of a rollocking rock ‘n’ roll piano is a huge plus; Kurt’s long-time friend Kris Rodgers plays up a storm…even if his contributions are very low in the mix.

Lead single ‘I Am My Radio’ is both a celebration of a love of music, as well as a demonstration of brilliantly punchy power pop, placing Bullet Proof Lovers a couple of steps closer to the overlooked Lashes. Riff-wise, things are in full force, throwing out melodies that are somewhere between The Breakdowns, Hollywood Teasze and Radio Days. 

If you’re already familiar with Bullet Proof Lovers, you’ll find nothing new here, but the presence of an understated organ and a shredded rock ‘n’ roll solo combined with a killer hook come together to make it prime BPL fare. ‘On Overdrive’, meanwhile, churns out some classic muted riffs, with everyone excelling at a power pop/post punk crossover – the kind that takes its main thrust from the likes of old Undertones tunes and Joe Jackson’s classic ‘Got The Time’. In and out in just over two minutes, there’s no flab…just power and passion. 

Elsewhere, ‘Can’t Let Go’ makes great use of chopping riffs and an excessively fuzzy lead sound that catches the ear straight away, but the inclusion of gang vocals and a huge pre-chorus takes everything to the next level. Throughout the number, there are suggestions that the bass is furiously pumping, but an aggressive drum part and a wall of guitars seem set to leave the strongest impression. This could easily be a leftover from the previous BPL release – the band are sticking to strictly familiar territory – but it’s none the worse for that.

For those looking for something more melodic, the mid-pace of ‘One Last Night‘ should please with influences from bubble gum rock and power pop, as Baker (re)tells a tale of a relationship about to come to an end. With huge chords, a variety of surprisingly melodic soloing and a band steadily working through their own take on influences from The Scruffs, Nerves and Pezband, it’s got a great pedigree…and a chorus so infectious, you’ll be hitting the repeat button fairly swiftly. 

‘Take It Or Leave It’ falls squarely between the two main musical camps, promising hefty rock ‘n’ roll during its opening riff – with yet more piano – before falling away to reveal the kind of hooky melodicism that sat at the heart of most of Baker’s own ‘Play It Cool‘ LP. While there’s an underlying feeling that the guitarists are happiest when tearing through a riff or six at maximum speed, this number has just enough crunch within its retro pop to please the riff junkies, while showing off Baker’s traditional power pop chops. 

Having already shown an “all killer, no filler” aesthetic, ‘Radioactive Love’ closes the record with yet more pop-punk sharpness and a two guitar assault that never lets up from the start. Spiky vocals are bolstered by cheeky harmonies, while the rhythm section of Joseba Arza (drums) and Gonzalo Ibanez lock into one of the album’s fiercest grooves and – for one last time – a retro guitar adds a scorching lead break. Just for once, Bullet Proof Lovers don’t quite hit the mark when it comes to the chorus, but with speed, enthusiasm and sheer guts, they’ve got everything else on their side.

It’s fair to say, if you’ve ever had any interest in either Kurt Baker, classic punk pop or high octane new wave rock, this release has all the bases covered. Twelve songs that buzz past in the blink of an eye, ‘Shot Through The Heart’ is set to pierce through the ears of all lovers of retro, high-speed rock in all corners of the US, Spain and beyond.

Hear it…love it.

Bullet Proof Lovers bleed, sweat, and shred big hooks, loud guitars, a thundering rhythm section, and pop sensibility, ravaged with elements of Fred "Sonic" Smith, Primal Scream, The Hellacopters, and The Hives... Bullet Proof Lovers is a throwback to a time when it wasn't a sin to make fun music for people to play loud. Whether it's Cheap Trick influenced rock n' roll, thundering arena pop, or a vintage Kurt Baker power ballad, the hooks keep on coming.

Finally – a band that looks like a band.  I’m not sure about you, dear reader, but I’m slightly peeved at the number of bands that look as if Mommy has forced them into their best clothes to go to Kenny and Britney’s wedding reception.  You can hear the reluctant bassist moaning “ahw Mom…” as he’s forced to wear those lovely beige slacks she picked out for him.  It’s not right, I tell you.  That’s not to say The Bullet Proof Lovers look like they’ve picked up their stage gear from a dumpster behind a goodwill store, but at least they look like they should be toting guitars and not knocking on doors asking people if they’ve heard the good news about Jesus.

They sound like a rock and roll band too.  “Shot Through The Heart” (OK, who played the opening few bars of “You Give Love a Bad Name” in their head when they heard the title?) is a great rock and roll record with its loud pedal pressed down all the way. The tempo drops just once (but not much) on the almost Tom Petty-ish “One Last Night”, other than that, it’s head’s down, no nonsense ramalama from soup to nuts.  Caution – playing this album in your car will result in you driving really fast.

Imagine if the Ramones had stayed in school a bit longer and concentrated harder in music class.  Or if DeeDee was a huge Cheap Trick fan.  Get the picture?  These boys have done their homework, and combined pop smarts with a bit of ye olde punke rocke, but someone grabbed their dad’s Raspberries albums along the way, resulting in a healthy dose of melody to temper those loud, Steve-Jones-Is-God geetars.  If you ever dug the Hives’ tuneful garage rock, you really should check this out.

The band deliver 12 tunes in 36 minutes on “Shot Through the Heart” and as the songs crash into one another (in a most appealing manner) there’s no time for ballads, concepts, or any of that nonsense.  Once you get beyond the rather overdone “radio flipping through channels” opening of “I Am My Radio”, it’s good news all the way. The songs are all too short, too fast and over-caffeinated.  Really over-caffeinated.  But these are good things!  You want big choruses?  They’re happy to oblige – “Take it or Leave It” and “All I Want” will have you tapping your Cuban Heels vigorously before too long.

The Bullet Proof Lovers look like they belong in a barroom and sound like the Runaways’ kid brothers.  A good combination, I’m sure you’ll agree.

Kurt Baker: Vocals 
 Luiyi Costa: Guitars, b. vocals 
 Juan Irazu: Guitars, b. vocals 
 Gonzalo Ibañez: Bass 
 Joseba Arza: Drums 

01. I Am My Radio 03:31
02. Ain't No Joke 02:49
03. Not Your Toy 02:10
04. Heart Of Stone 03:15
05. Knock Down The Door 02:41
06. One Last Night 04:39
07. Drive It Outta Control 03:12
08. Can't Let Go 02:46
09. Take It Or Leave It 03:01
10. On Overdrive 02:16
11. All I Want 03:24
12. Radioactive Love 02:36

1. Bullet Proof Lovers
2. Bullet Proof Lovers
3. Bullet Proof Lovers

Tom Baker and the Snakes - Lookout Tower (Power Rock/Punk US 2017)

Size: 85.5 MB
Bitrate: 320
Ripped by: ChrisGoesRock
Artwork Included

From Massachusetts, a three-prong guitar rock n roll attack 

If you like your rock & roll to worry less about subgenres and more about just getting to the good stuff, Tom Baker is yer man. 

Damn, has Link:  Rum Bar Records ever been serving up the rock this month! You might need to invest in louder speakers! Hot on the heels of that amazing new Bullet Proof Lovers album, Malibu Lou unleashes the eagerly awaited new LP from Tom Baker and the Snakes. Singer/guitarist Baker (Nana, the Dirty Truckers) is a fixture of the Boston garage/rock n' roll scene. 

He's backed by a formidable unit of veteran players including John Brookhouse (Worshipper, The Dirty Truckers) on lead guitar, Charles Hansen (Rock Bottom) on guitar, John Sheeran (Spitzz, Township) on bass, and Johnny Blout (Watts) on drums. Do the math, and you realize that's three guitars in this band. And none of 'em go to waste! Lookout Tower is the new album, and it delivers 11 shots of Stones/Faces inspired rock n' roll with a palpable heartland of America feel. 

The album imbues '70s arena rock wallop with the ragged underdog spirit of bands like The Replacements. That Westerberg/Stinson worship really shows through on signature tunes like the rough-around-the-edges pop gem "Doll Eyes" and the late night dive-bar banger "High n' Tight". Both were standout tracks on the band's digital-only 4 Stars EP from last year, and it would have been criminal to have kept them off the album. 

But there's plenty more to like here, from the meat & potatoes rocker "Gotta Find Her" to the '90s college radio jangle of "Needle in the Red" to the rootsy ballad "Say Goodbye" (which sounds like something Soul Asylum could have done in its prime). "Bad Change" hovers at the intersection of big hook power pop and boozy rock n' roll - an especially sweet spot for this band. And "Satisfied Fool" takes me straight back to the late '80s of my youth when I was seemingly listening to album-oriented rock radio 24/7. 

Tom Baker and the Snakes are a perfect fit on the Rum Bar roster- filling the space between the '70s FM thunder of Watts and the earnest blue collar rock n' roll of Nato Coles. If you like a whole lot of guitar in your rock n' roll (and really, who doesn't?!), Lookout Tower will have you in rock-out heaven. Beyond that, the quality and depth of Baker's songwriting is not to be overlooked. Arriving at the beginning of spring, Lookout Tower is for sure an album you'll want to crank loud as you relax on the porch and enjoy a cold beverage straight from the can. This, my friends, is real deal Boston rock n' roll!  

There was an afternoon once when you were laying on your bed staring at the Creem and Hit Parader rock star posters on your wall. You were listening to your new favorite record; the one you’d picked up at Crazy Eddie and then ran home to play on your Dad’s old turntable that you’ve snagged for your own. Maybe it’s Saturday, and you’re heading out with friends in an hour or so. 

You can’t quite place the band in this memory, but there were elements of the Stones in there; echoes of Tom Petty and the Heartbreakers. It had the snarl and the slide of the Replacements; but then again, raised a pint to Steve Marriott. It reminded you of college -- were you in college yet?

Tom Baker - vox, guitars 
 John Brookhouse - guitars, vox 
 Charles Hansen - guitars 
 John Sheeran - bass 
 John Blout - drums, percussion 

01. Gotta Find Her 02:21
02. Run It Out 03:31
03. Make It Hurt 03:29
04. Doll Eyes 02:42
05. High n' Tight 03:50
06. Waitin for Nothing 02:09
07. Bad Change 03:03
08. Needle in the Red 02:39
09. Satisfied Fool 03:43
10. Maybe Come Back to Me 02:47
11. Say Goodbye 03:11

1. Tom Baker
2. Tom Baker
3. Tom Baker