Size: 157 MB
Ripped by: ChrisGoesRock
Source: Japan SHM-CD Remaster
The Grateful Dead is the debut album of the Grateful Dead. It was recorded by Warner Bros. Records, and was released in March 1967. According to bassist Phil Lesh in his autobiography Searching for the Sound: My Life with the Grateful Dead, the album was released as San Francisco's Grateful Dead.
Demands by Warner Bros. resulted in four of the tracks, originally longer, being cut short. Phil Lesh comments in his autobiography that "to my ear, the only track that sounds at all like we did at the time is Viola Lee Blues. ... None of us had any experience with performing for recording ... although the whole process felt a bit rushed."
The album was seen as "a big deal in San Francisco." Even though this was true, it did not see much air play on AM radio stations outside San Francisco. It would be a couple of months before free-form FM radio stations began to take shape. Warner Bros. threw the band a release party at the Fugazi Hall in North Beach. Joe Smith is noted for saying he is "proud that Warner Bros. is introducing the Grateful Dead to the world."
A remastered version with the full versions of five album tracks, plus six bonus tracks, was released by Rhino in as part of the box set The Golden Road (1965-1973) in 2001, and as a separate album in 2003.
The song "Alice D. Millionaire" was inspired by an autumn 1966 newspaper headline "LSD Millionaire", about the Dead's benefactor and sound engineer Owsley Stanley.
|Grateful Dead (Billboard Magazine Advertise 1967)|
In the original design for the album cover, the cryptic writing at the top read, "In the land of the dark, the ship of the sun is driven by the Grateful Dead", with the phrase "Grateful Dead" in large letters. At the band's request, the writing, except for "Grateful Dead", was changed by artist Stanley Mouse to be unreadable. According to fan legend, the saying is from Egyptian Book of the Dead.
The band used the collected pseudonym McGannahan Skjellyfetti for their group-written originals and arrangements. The name derived from a corruption of a character name in the Kenneth Patchen work The Memoirs of a Shy Pornographer.
The entire LP was remixed in the early 1970s by the Grateful Dead themselves—the original mix is found on LPs bearing the Gold (1967 stereo/mono) Warner Brothers label or W7/WB dark green Warner Brothers label (1968-1971). The remix (palm trees Burbank label) differs significantly from the original 1967 release.
The album was reissued for Record Store Day 2011 on 180g vinyl cut from the original analog/mono masters from 1967. This is the first time in 40+ years it has been released in this form.
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The Grateful Dead's eponymously titled debut long-player was issued in mid-March of 1967. This gave rise to one immediate impediment -- the difficulty in attempting to encapsulate/recreate the Dead's often improvised musical magic onto a single LP. Unfortunately, the sterile environs of the recording studio disregards the subtle and often not-so-subtle ebbs and zeniths that are so evident within a live experience. So, while this studio recording ultimately fails in accurately exhibiting The Grateful Dead's tremendous range, it's a valiant attempt to corral the group's hydra-headed psychedelic jug-band music on vinyl. Under the technical direction of Dave Hassinger -- who had produced the Rolling Stones as well as the Jefferson Airplane -- the Dead recorded the album in Los Angeles during a Ritalin-fuelled "long weekend" in early 1967.
These include Pigpen's greasy harp-fuelled take on Sonny Boy Williamson's "Good Morning Little School Girl" and the minstrel one-man-band folk of Jessie "the Lone Cat" Fuller's "Beat It On Down the Line." The apocalyptic Cold War folk anthem "Morning Dew" (aka "[Walk Me Out in The] Morning Dew") is likewise given a full-bodied electric workout as is the obscure jug-band stomper "Viola Lee Blues."
• Jerry Garcia – lead guitar, vocals, arrangement
• Bill Kreutzmann – drums
• Phil Lesh – bass guitar, vocals
• Ron "Pigpen" McKernan – keyboards, harmonica, vocals• Bob Weir – guitar, vocals
01. "The Golden Road (To Unlimited Devotion)" (Grateful Dead) – 2:07
02. "Beat It on Down the Line" (Jesse Fuller) – 2:27
03. "Good Morning Little School Girl" (Sonny Boy Williamson) – 5:56
04. "Cold Rain and Snow" (Obray Ramsey) – 2:25
05. "Sitting on Top of the World" (Lonnie Chatmon and Walter Vinson) – 2:01
06. "Cream Puff War" (Jerry Garcia) – 2:25
07. "Morning Dew" (Bonnie Dobson and Tim Rose) – 5:00
08. "New, New Minglewood Blues" (Noah Lewis) – 2:3109. "Viola Lee Blues" (Lewis) – 10:01
10. "Alice D. Millionaire" (Grateful Dead) – 2:22
11. "Overseas Stomp (The Lindy)" (Jab Jones and Will Shade) – 2:24
12. "Tastebud" (Ron McKernan) – 4:18
13. "Death Don't Have No Mercy" (Reverend Gary Davis) – 5:20
14. "Viola Lee Blues" (edited version) (Lewis) – 3:0015. "Viola Lee Blues" (live at Dance Hall, Rio Nido, CA 9/3/67) (Lewis) – 23:13
* The Japan CD reissue contains the full-length versions of "Good Morning Little Schoolgirl", "Sitting on Top of the World", "Cream Puff War", "Morning Dew", and "New, New Minglewood Blues"
* Tracks 10–13 recorded at RCA Victor Studio A, Hollywood, CA on February 2, 1967
* Track 14 is an edited version of track 9.
* Track 15 recorded live at Dance Hall, Rio Nido, CA on September 3, 1967; the master analog reels of "Viola Lee Blues" are said to exclude the beginning of the song.
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