|No Shooting at This Road|
Friday, 11 August 2017
Ripped by: ChrisGoesRock
At the dawn of 2017, can you name one rock'n'roll band, not from the 80s, who has the pretention and audace to release a Live Album? Hard Rock revivalists RUSTED from Canada are back with a 14 tracks album recorded in Montreal. We really wanted to capture the live energy of the band, the essence of RUSTED,the power and rawness of the live performance that many poeple would prefer to the studio album", said lead singer Tony Rust.
So here it is, in the spirit of the greatest classic hard rock bands, RUSTED keeps the flame burning with a killer energitic album, featuring one bonus studio track.
RUSTED is a Hard Rock band from Montreal. They are bringing back the style, the energy and the music of the 80's hard Rock, 70's Glam rock era with powerfull catchy choruses, badass heavy metal guitars riffs and some loud pounding drums to bang your head to!
As I was interviewing Rusted guitarist ManiaK last month and listening to his answers to my questions, I couldn’t help but be a little embarrassed about silently agreeing with him. I had only had the opportunity to experience Rusted once in a live setting but those memories from that concert in the summer of 2014 still persist that I witnessed an absolutely amazing show from two of the best younger bands out there (Rusted and Hessler). Rusted exuded so much energy and their songs really came to life for me during that fateful night. As I was interviewing ManiaK, he mentioned that Rusted had noticed that their live energy was missing from their prior studio releases. I couldn’t agree more. ManiaK‘ went on to say that many Rusted fans would tell the band members that they loved Rusted live but never really listened to the group otherwise. I didn’t verbalize my agreement in that regard to ManiaK but yes, I was guilty of that myself. My memories of seeing Rusted live were still strong in my mind but I really didn’t listen to their studio albums Hit By and Rock Patrol that often (even though I do enjoy them). Why is that I wondered? The answer lies when I listened to Rusted‘s new live album Live Wild & Free.
Before I get into Live Wild & Free, the ultimate example in my mind of a band sounding completely different in a studio setting compared to a live one had always been early KISS. Both Alive! and Alive II are two of my favorite live albums hands down but listening to KISS‘ first six studio albums and especially the first three — KISS, Hotter Than Hell and Dressed To Kill — feels like listening to outdated slowed down, sometimes even boring, versions of what can be found on the shock rockers’ first two live records. The difference between the songs on Rusted‘s studio albums and new live record are definitely not as stark as the ones between KISS‘ first six studio albums and first two live records but there are definitely some similarities in that Rusted‘s infamous high “energy” finally comes through on Live Wild & Free.
What has surprised me the most while listening to Rusted‘s live album is that the band truly possesses a lot of great songs and way more than their likely two most well known songs “Rock Patrol” and “Young Wild & Free.” Live Wild & Free boasts 14 live tracks plus one brand new studio track — the aptly named “Hittin’ The Road” — and frankly all of the songs stand up quite nicely. In other words, there are no songs that I think about skipping when listening to Live Wild & Free, which if you’ve read some of my past reviews is no easy feat. Just like when I saw Rusted live in the summer of 2014, lead singer Tony Rust warns the Montreal crowd after the first song on Live Wild & Free that they are going to get their asses kicked! When I had interviewed ManiaK last month, he also spoke about how Rusted live was a little dirty and not perfect, and I couldn’t agree more. Rusted‘s songs sound so much faster, heavier and simply better live and the glam rockers have now captured their magic on an album. Rust will not be mistaken as the next Rob Halford on Live Wild & Free but his singing has a lot of passion and enthusiasm to it which I really like.
There are many little things on Live Wild & Free that I think make the album very special. You can feel that crowd interaction with the band during the live album. In addition, the background vocals are really good throughout the entire album. Given that Live Wild & Free was recorded in Montreal, which is in the mostly French speaking province of Quebec in Canada, Rust addresses the crowd in both English and French. Funny enough, Rust mostly addresses the crowd in English for the first half of the live album but eventually appears to switch mainly to French as the evening wears on. It turns out to be a good move as the Montreal crowd seems more responsive to his French banter. Given that I speak French, I understand all that Rust has to say but I wonder how a non-French speaking individual might appreciate the frontman’s French addresses to the crowd. I think that I would have some difficulties in fully appreciating a live album if I did not understand the band’s comments to the crowd.
Rusted offer one new bonus studio track called “Hittin’ The Road” at the end of Live Wild & Free. While I definitely enjoy the song, which is a bit heavier than the usual Rusted fare, I find it would have been actually better not to include the track as it is a bit anti-climatic after the rousing live finale of “Young Wild & Free.” I think I have always felt that way about the inclusion of studio tracks at the end of a live record because even though I find that there are some really good studio tracks such as “Rocket Ride” and “Larger Than Life” at the end of KISS‘ Alive II album, I have always found it a bit of downer to listen to those tracks after such a splendid live album.
It’s been more than two years since Rusted first launched their fund raising campaign for a live album so it definitely took longer than expected for Live Wild & Free to come out.
That being said, good things are worth waiting for and Rusted‘s Live Wild & Free is a splendid live record that was totally worth the wait! All I know is that since obtaining a hard copy of Rusted‘s Live Wild & Free album last week, it has been getting played in my CD player pretty much all day while I’m working.
When I had interviewed ManiaK last month, he indicated that Rusted wanted to have a live album like the great bands from the ’80s. I think that Rusted have come up with a live record in Live Wild & Free that stands up very well to all those great live albums from the ’80s.
♫ Tony Rust – lead vocals
♫ ManiaK – rhythm and lead guitar
♫ Tommy D. Eagle – lead guitar
♫ D. Izzy – drums
♫ Mark Shark – bass
01. Partners In Crime 04:21
02. Just A Dream 04:58
03. Two At A Time 03:46
04. Earthquake 04:26
05. Rock Patrol 03:49
06. Last Stand 04:38
07. Scream In The Night 04:20
08. Tsunami 05:34
09. Traveler 04:43
10. So Far So Strong 04:50
11. Wanted Man Boogie 03:44
12. Midnight Man 04:24
13. Summer Day 03:14
14. Young Wild & Free 05:49
15. Hittin' The Road 03:05
1. Rusted Live
2. Rusted Live
3. Rusted Live
Wednesday, 9 August 2017
Ripped by: ChrisGoesRock
Berlin is the third studio album by German rock band Kadavar, released on 21 August 2015 by Nuclear Blast. It was the first album to fully feature new bassist Simon Bouteloup.
After working for four months in the studio, the band finalized the production process of the new album on June 1, 2015, according to their Facebook page.
Drummer and producer Christoph "Tiger" Bartelt commented: "About 10 years ago, when we - independently of one another - moved to Berlin, we just wanted to break free from home and do something new. I thought it was comfortable, to blend in and just live from day to day. A lot of very long nights and so many completely different people at one place. Where there are opposites you can always ground yourself. We’re all different, come from different places but have managed to create something together we all like. I think the Berlin lifestyle has influenced our band very much and therefore fits perfectly as the album’s title."
The 11th and final track on the album, "Into the Night," was chosen by pro skateboarder Riley Hawk for his Scion AV compilation album Riley Hawk: Northwest Blow Out EP.
If there‘s one certainty KADAVAR have internalized for eternity, it‘s that success will run like sand through your fingers when you chicken out after suffering a setback. It was in 2013 in the heart of the USA of all places - where the desert sun preserves deeply-furrowed faces and rusty cars in a picture of Wild West-ish glory - that an infernal series of events kicked off which would make even Berlin‘s internationally most acclaimed rock band of today falter.
It started with the notorious US-American visa agency complicating the band‘s long-awaited first arrival to the United States. Subsequently, several thousand hard-earned dollars literally went up in smoke as the engine of a 1964 Ford Galaxy, specifically bought for the 'Come Back Life' video shoot, burst into flames after only a couple of miles on New Mexico‘s highways in blazing heat. And finally, when the guys had just shaken off California‘s dust from their jeans to seamlessly start into the biggest European tour in band history following their second album »Abra KADAVAR«, their bassist bailed out. Other bands would have packed it all in at this point. KADAVAR didn‘t.
From today‘s perspective, one can‘t rejoice enough at this decision, for once you‘re listening to the new tracks of their upcoming third record »Berlin« that‘ll be released on August 21, the temporary rough patch appears to be nothing more than a deep breath right before jumping across the gap. Or a deep drag on a cigarette - unhealthy but shamelessly pleasant. The key to the road out of the crisis: The piece of luck that helped vocalist Lupus Lindemann and drummer Tiger Bartelt complete their line-up again with just one phone call. French-born Simon “Dragon“ Bouteloup, who had previously played in AQUA NEBULA OSCILLATOR (the French combo KADAVAR recorded a split EP with in 2012) and had become a regular on KADAVAR‘s tour bus after moving to Berlin joined the pack. Subsequent to the call, it took the trio only four days to take the dragon to the air.
The enormous emotional energy that was unleashed show after show once the rough times were over and done with was witnessed by tens of thousands of fans over the course of the following tour with more than 200 shows in Europe, the US, Latin America and Australia played non-stop in one and a half years.
Whether in front of 3,000 sweating Mexican souls, in a remote pub in the Macedonian mountains or facing huge European festival crowds - every single night, KADAVAR performed as furiously as a tremendous tempest hailing down on earth! It was a daredevil, ecstatic time on the road that saw KADAVAR not only cheered on zealously by their friends in THE SWORD and WOLFMOTHER, but also by some of the heroes of their youth such as MONSTER MAGNET‘s Dave Wyndorf and PENTAGRAM‘s Bobby Liebling.
It‘s these deeply imprinted, unforgettable memories and impressions of continuous touring one can feel on »Berlin« in every line and every strum. Though recorded live in the studio on the band‘s own analog gear again, it‘s distinctly audible that this time round the record turned out even deeper as far as songwriting and arrangements are concerned - and that Lindemann, Bartelt and Bouteloup have spent more time on the recordings than ever before. Tracks like 'Filthy Illusion' and 'See The World With Your Own Eyes' knock your socks off with their boisterous energy.
'The Old Man' and 'Last Living Dinosaur' deliver post-modern madness at its finest. And vocalist Lupus Lindemann provides insights as personal as never before, like in 'Restless': “I never stay. I never pray. My life is meant to go along this endless road, it’s winding round and round.“ In 2015, KADAVAR‘s songs have evolved to become the ultimate reanimation of the seething primordial soup rock music has once emerged from. Explaining why the three-piece wanted to memorialize the city of Berlin and their roots in the album title, drummer Tiger states: “We‘re different people from different places but in this city, we‘ve somehow managed to create something we all love.“ For the restless trio - luckily alive and well - it‘ll be back on the road again shortly after the album release in autumn: The next world tour is calling.
♦ Christoph Lindemann – vocals, electric guitar
♦ Simon Bouteloup – bass
♦ Christoph Bartelt - drums, percussion, production, engineering, mixing
01."Lord of the Sky" 04:28
02."Last Living Dinosaur" 04:05
03."Thousand Miles Away From Home" 04:53
04."Filthy Illusion" 03:45
05."Pale Blue Eyes" 03:28
06."Stolen Dreams" 03:57
07."The Old Man" 04:05
08."Spanish Wild Rose" 04:30
09."See the World With Your Own Eyes" 04:07
10."Circles in My Mind" 03:47
11."Into the Night" 04:30
1. Kadavar Berlin
2. Kadavar Berlin
3. Kadavar Berlin