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Monday, January 24, 2022

If you've bored, try this: Card Throwing Tutorial | Rick Smith Jr.

Hi all.

If you have nothing to do right now, become an expert at throwing cards. When you have learned to throw cards (after a lot of practice), you can train as in the videos below. Good luck!



Learn How to Throw Cards with Mark Rober | Behind the Scenes | Rick Smith Jr.


Card Throwing Trick Shots | Dude Perfect


Card Throwing Tutorial | Accuracy & Power | Rick Smith Jr.
 

Now just practice and practice, and you will be able to throw cards with great precision.

// ChrisGoesRock

Sunday, January 02, 2022

Witchwood - Litanies From The Woods (Superb Hardrock Italy 2015)



Size: 212 MB
Bitrate: 320
mp3
Ripped by: ChrisGoesRock
Artwork Included

The Buttered Bacon Biscuits were a band from Faenza, a town located in an area called Romagna, that had been active from 2008 to 2013 with a style rooted in the seventies and consisting in a mix of psychedelia, hard rock and a pinch of progressive. They had a good live activity and in 2010 released a debut album entitled From The Solitary Woods that was distributed by the independent label Black Widow Records and got some good reviews but the band did not last enough for a follow up. 


After the band split up, in 2014 from their ashes came to life a new band called Witchwood, a quintet featuring three former members of the Buttered Bacon Biscuits, Riccardo Dal Pane (vocals, guitars, mandolin, percussion), Stefano Olivi (Hammond, piano, synth, Moog) and Andrea Palli (drums, percussion) along with Samuele Tesori (flute, harmonica) and Luca Celotti (bass). 

In 2015 this new band, with the help of some guests, released an interesting debut album on the independent label Jolly Roger Records, Litanies From The Woods, where they managed to mix hard rock, progressive, psychedelia and southern rock in a personal way adding fresh ideas to vintage sounds and obscure atmospheres borrowed from the past. Their love for bands such as Uriah Heep, Jethro Tull, Deep Purple, Hawkwind or Lynyrd Skynyrd is apparent but the songwriting is good and the overall sound is full of energy and passion. The result is a nice example of what now is called classic rock and in my opinion it is really worth listening to...


The opener "Prelude" is just a short electric guitar intro that leads to the caustic "Liar", a heartfelt complaint against a world where appearances are more important than real values and democracy is nothing but an illusion conjured up by cynical politicians, a world where the lies of the media hide the dirtiest sins and where dreams fill the graves...

On the following "A Place For The Sun" the music and lyrics evoke the cathartic power of music and invite you to live day by day to tackle the adversities of life, always looking for the hidden place in your soul where the sun always shines...

"Rainbow Highway" deals with the wish of freedom and adventure of a boy who grew up in a small town, surrounded by boredom and old traditions. The music and lyrics here evoke the dream of a life without rules, a wish of absolute freedom, a fantastic ride on the shoulders of a rainbow demon to feel the wind blowing free and wild all around... Hey boy, pick up your heart and run! Before you lose your soul...

The hypnotic, psychedelic "The Golden King" conjures up the image of a caravan coming from a distant planet, sailing through endless skies... Listen to the litanies for the mysterious Golden King and let him take you away for a ride to his palace to celebrate a strange Sabbath!

The following "Shade Of Grey" is a dark, haunting track evoking Gothic atmospheres and a disquieting creature from an hidden world moving through the woods. You can listen to the songs soaring from the woods as you get lost in a starry night...

Next comes the romantic ballad "The World Behind Your Eyes" that is dedicated to Laura, the lovely muse of lyricist and composer Riccardo Dal Pane. It leads to the long, complex instrumental "Farewell To The Ocean Boulevard" featuring many changes in rhythm and atmosphere, a real epic where the band showcase all their musicianship and creativity swinging from calm, relaxed acoustic passages to fiery electric rides and vice versa. A wonderful track!

"Song Of Freedom" is a celebration of the life on the road, the song of a travelling man in love with his sweet freedom. This nice mix of country rock, blues, hard rock and psychedelic dreams à la easy rider leads to the long closer "Handful Of Stars", a beautiful suite divided into three parts that reminds me of the atmospheres of the Dream Cycle stories by H.P. Lovecraft and deals with haunting and dangerous dreams. On the first part, "The Gates Of Slumber" the music and lyrics conjure up the image of a dreamer lost in his room with floating planets all around while stars fill his mind and heart... He falls in a timeless abyss of dark dreams that the evocative music of next two instrumental parts, "Nox Erat..." (It was night) and "Epilogue: Litanies For A Starless Night", let your imagination free to build up...

Litanies From The Woods is Witchwood's first album. The band came into existence in 2014 out of a group called Buttered Bacon Biscuits that I haven't heard of, but they released an album in 2010, From The Solitary Woods, on Black Widow Records. Basically most members came from BBB with only a new bass player.

There is some nice variation on the disc, like the first proper song Liar that suddenly treats us to a jazzy interlude led by flute. Or the psychedelic and somewhat dreamy/trippy The Golden King with a mysterious undertone. Mostly, however, it's progressive hard rock of the kind many of us enjoy immensely. The World Behind Your Eyes brings typical Tull-like flute for the first time. 

A bit more like Led Zep is the 9 minute Song Of Freedom that starts bluesy with harmonica and initially has acoustic guitar. This then explodes in typical Deep Purple style (and even the singing here reminds me of Gillan). Cool roaring organ. The 10 minute Handful Of Stars brings soaring progressive hard rock that shows what Deep Purple would have sounded like if they had enlisted a flute player. 

Actually, the man on the flute takes over halfway through and leads us again into Tull-inspired realms. Even longer are the two very long tracks on the album, Shade Of Grey and the 15 minute Farewell To The Ocean Boulevard. I'm not going to describe those - just experience for yourself. All in all great stuff and no weak moments.

Although I do have the CD version, this kind of music should actually be enjoyed on vinyl, and so it's only just that it's also released as a double LP in a gatefold sleeve (Jolly Roger Records JRR 063). In two versions even; an ordinary black one and a limited numbered purple vinyl. Good luck finding the latter as it's limited to 100 copies only and sold out already...

Line-up / Musicians
- Riccardo "Ricky" Dal Pane - lead vocals, backing vocals, electric guitar, slide guitar, acoustic guitar, mandolin, percussion
- Stefano "Steve" Olivi - Hammond C100, Leslie 760, Moog Voyager, piano
- Andrea Palli - drums, percussion
- Samuele Tesori - flute, harmonica
- Luca Celotti - bass

01. Prelude - Liar (7:23)
02. A Place for the Sun (7:11)
03. Rainbow Highway (5:54)
04. The Golden King (6:24)
05. Shade of Grey (11:04)
06. The World Behind Your Eyes (5:43)
07. Farewell to the Ocean Boulevard (15:27)
08. Song of Freedom (9:31)
09. Handful of Stars (10:09)

Part I : Witchwood I
Part II : Witchwood II
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Part I : Witchwood I
Part II : Witchwood II
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Part I : Witchwood I
Part II : Witchwood II


Function Underground - The Black and Brown American Rock Sound 1969-1974



Size: 103 MB
Bitrate: 320
mp3
Ripped by ChrisGoesRock
Some Artwork Included

Nearly everyone in the world can rattle off the great African-American musical forms. Jazz, blues, R&B, soul, hip-hop, house, gospel. One influential genre is always left off of the list: a folk music known as rock n’ roll. Rock n’ roll was a term originally coined to market the white-friendly version of a genre that already existed; prior to 1965, the line between rock n’ roll and R&B was thin: Ike Turner recorded and released “Rocket ‘88’ ” in 1951 and, while its Chess Records release reached number one on the Billboard R&B chart, it is regarded by many as the first rock n’ roll record.

The Great Divide between R&B and rock n’ roll came after the Beatles and the British Invasion decimated the Top 40 chart in 1964. Simultaneously, R&B entered a new phase, soon to be labeled “soul,” which upped the music’s gospel quotient and turned its frantic twang. So somewhere in the mid to late-1960s, rock n’ roll became perceived as something for the Caucasian kids. When Jimi Hendrix and Arthur Lee made the scene, they were said to be black musicians entering into a white world. While that couldn’t be farther from the truth, that false dichotomy has existed in America’s popular conscious ever since, to the point where the idea of a black rock musician is on the level with the idea of a black cowboy.

In the mid-1960s, funk replaced soul as the rhythm that was going to move the world. We know all its progenitor – James Brown, The Meters, Kool & The Gang – and their innovations: the syncopated, 4/4 dance between the bass and drums, horns repurposed as percussion, chicken-scratch and wah-wah guitar. We can trace where they came from. But there is one crucial funk influence that no one seems to want to acknowledge – a devil-may-care attitude we can attribute to rock n’ roll. It’s not a stretch to say that funk is the African-American answer to psychedelia and hard rock rolled into one.


The idea of “progressivism” that took over rock music after psychedelia’s heyday in the late 1960s belatedly spilled over to funk. In the early 1970s, as the underground/psychedelic fire burnt out in the white rock world, it roared to a blaze in the black musical community. Nearly every American city with a large black population boasted self-contained funk bands that didn’t consider themselves simply revues or backup groups, but rather fully-operational ensembles In these bands, everything from composing, arranging, record production and distribution, was handled in house by band members. These are the bands whose music comprises this anthology, and while they’re all different, they’re unique in one way: they kept their ears open for new developments in funk and rock music.

This anthology presents earnest questions as to why we know so little about these bands and the movement of which they were a part. While we don’t anticipate that we’ll ever find a definitive answer as to what these ensembles’ true goals were, then, we do know that they took their charges seriously. And they knew they were onto something different, something that, though only they and their immediate kin might recognize it, was more interesting than the status quo. Function Underground shines light on an important and overlooked part of rock n’ roll’s history and talented ensembles that toiled in the shadows, derided by their peers

"Do you realize that Hendrix was dead before most black people in America knew he was a black man?” Ebony Rhythm Band drummer Matthew Watson questions rhetorically. “We was scorned. In that era, everybody else in the black community was wearing three-piece suits, processes and Afro wigs and that shit. We was the first guys to wear bell bottoms. The first guys to wear big hats. We were off into a whole other thing.” 

01. 1984 - There's A Wrinkle In Our Time 02:40
02. Purple Snow - Down By The River 03:55
03. Jimi Macon - Jimi's Guitar Raps With The Bass 02:39
04. Creations Unlimited - Corruption Is The Thing 03:00
05. We The People - Function Underground 02:53
06. Michael Liggins And The Super Souls - Loaded Back 04:02
07. Stone Coal White - Stone Coal White 02:42
08. Blacklites - BL Movement 02:22
09. Ebony Rhythm Band - Drugs Ain't Cool 02:45
10. Cisneros And Garza Group - I'm A Man 02:46
11. L.A. Carnival - Blind Man (45 Version) 02:51
12. The Revolution - The Siesta Is Over 04:25
13. Black Conspirators - Just Got To Be Free 03:17
14. Black Maffia - I Want To Take You Higher 04:06

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Spirits And Worm - Selftitled (Great J.Airplane Styled Rock US 1969)



Size: 61.9 MB
Bitrate: 256
mp3
Ripped By: ChrisGoesRock
Artwork Included

This album is well worth searching out. Adrianne's powerful vocals are certainly an asset and although brass makes an occasional and unwelcome intrusion on the album it contains some fine guitar work, which on the title cut and Sunny Please Hold Me becomes quite psychedelic. 


Other highs include You And I Together and the final cut, She's So Good. Recommended. Both 45 tracks feature on the album, which was recorded at Ultra-Sonic Studios in Long Island, New York.

01. You And I Together  
02. Every Little Bit Of Love  
03. She  
04. Fanny Firecracker  
05. Sunny Please Hold Me  
06. Spirits And Worm  
07. All I Need Is A Little You  
08. Shes The One  
09. You're Dynamite  
10. Shes So Good

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Friday, December 10, 2021

Victoria - Victoria (Private Pressed US Psychedelia 1971)



Size: 118 MB
Bitrate: 256
mp3
Ripped by: ChrisGoesRock
Artwork Included

Locally New Jersey demo release (200 made), beyond rare fantastic concept psych beauty, maybe 5 or 6 known copies. 3 girls 1 guy. They tried to get attention from big labels but this never happend. They wanted him to sound like Blood Sweat & Tears. But this was not Greg's idea of music. The music has everything you need, like a wild version of early Moby Grape combined with New Dawn and C.A. Quintet, sometimes dreamy sometimes totally wild underground-psych, with female vocals and splattering leads, Titanic horns & destorted guitars. Sweet tunes turn into dark psychpower. TOTALLY STONED!! 


Super rare US psych concept album that has a Neighbr'hood Childr'n feel. This psych beauty, sometimes dreamy sometimes totally wild has female vocals, titanic horns & distorted guitars. Sweet tunes turn into dark psych-power. Greg Ruban, the composer and front-man of Victoria recorded this album just before he had to go to Vietnam. When he returned from War, obviously mentally fucked, he took his unreleased album on a 3 month trip to Europe on a motorbike to promote it, but unfortunately that did not work out at all. The album was unreleased until only a few years ago.…

01. Peace - 2.44
02. Cumberland - 4.41
03. Gevaro - 4.11
04. Ride A Rainbow - 2.50
05. Never Knew Blues - 4.58
06. Down To The Park - 2.57
07. Village Of Etaf - 12.23
08. Core Of The Apple - 8.09
09. Mister Let Me Go (Bonus Acetate) - 3.37
10. Johny & Lisa (Bonus Acetate) - 3.02
11. Peace (Bonus Acetate) - 2.52
12. Cumberland (Bonus Acetate) - 2.51
13. Child Of Princess (Bonus Real-To-Real Track) - 3.07
14. Sundance (Bonus Real-To-Real Track) - 1.46
15. Wheels (Bonus Real-To-Real Track) - 2.02

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Sunday, December 05, 2021

Hamana - Hamana (Great Psychedelic Folkrock US 1974)



Size: 76.6 MB
Bitrate: 256
mp3
Ripped By: ChrisGoesRock
Artwork Included

A v.rare debut album recorded in 1974, originally issued on the local Phoenix label, Canyon Records. To most 60´s psychedelic rock/folk fans this is almost an unknown album, with only a few copies known to exist. Hamana was a native American, who went in 1969 to college in the white man's world, and the album expresses perfectly the sunny California peace, love & freedom feeling, 


The music itself is emotive with strong vocals, lots of West coast psychedelic guitar flashes, a bit garage feeling but also loner folk style with native American elements. 


The appeal of this album reminds one of Quicksilver Messenger Service, The Byrds, X.I.T, Neil Young, Buffalo Springfield, Garrett Lund - Near unbelievable that on these recordings all instruments, bass, guitars, vocals and drums have been played by Hamana himself, later to be overdubbed into a tasty and atmospheric stereo acoustic/electric mix. This CD-reissue is a mastertape release licensed by Canyon Records, and contains an 8 page booklet + 2 unreleased bonus tracks. Highly recommended!

01. The Meek Shall Inherit The Earth - 2.35   
02. Whu Can't I Understand - 3.39   
03. Be Free With Me - 2.46   
05. On The Road - 2.17   
04. I Remember - 3.13 
06. One Night - 3.07   
07. Future Goodbyes - 2.57   
09. Message To The Crystal - 3.40   
10. Shine On (Bonus 1965) - 5.36     
11. Peace In Within You (Bonus 1965) - 5.33  

1.  Hamana
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2. Hamana
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3. Hamana


Friday, December 03, 2021

Van Der Graaf Generator - Aerosol Grey Machine (UK 1969)



Size: 175 MB
Bitrate: 320
mp3
Ripped by ChrisGoesRock
Source: Japan SHM-CD Remaster

The Aerosol Grey Machine is the debut studio album by English progressive rock band Van der Graaf Generator. It was first released in the United States in 1969 by Mercury Records.

The album was originally intended as a solo album by the band's lead singer and main songwriter, Peter Hammill. When the band signed with Charisma Records, a deal was worked out whereby The Aerosol Grey Machine would be released under the Van der Graaf Generator name, in return for Mercury releasing Hammill from his earlier contract

The Aerosol Grey Machine was released in September 1969 by Mercury, in the US only. An initial edition contained the song "Giant Squid" on the cover but that was a mis-print (on the record "Necromancer" was featured instead), later pressings corrected the mis-print. This version of the LP was later released in Europe by Fontana Records.


'The Aerosol Grey Machine' was initially planned as the first Peter Hammill solo-record, but was finally released under the group name 'Van Der Graaf Generator', a device for producing high electrostatic potentials up to 15 million volt and quite a good name for such an energy loaden band. Now, VDGG owns as much to Byron, Shelley, Keats and E.A.Poe as to Chuck Berry. Peter Hammill is like Bob Dylan in the first place a poet, who composes music for his poems, supported by a great band . 

Hammiill has an expressive vocal range (from lamantations to cries and whispers) and on 'The Aerosol Grey Machine' one can already find the major elements of VDGG's music : Hammills expressive vocal style and poetry, Banton's classical inspired keyboard playing and Guy Evans' subtile drumming. The first five tracks (four songs) have a similar structure, the instruments enter one after the other (first the guitar, [on 'Afterwards' organ] than the bass, the piano or organ, Evans enters on drums establishes a medium tempo groove and Hammill starts singing , with small variations throughout the track. 


It is already typical VDGG, but the dynamic of the later records is still missing. The most interesting track of the four is 'Into a Game', the song starts the same way as the others, but in the middle there is an instrumental break starting with bass and drums joined by Banton, who delivers a nice piano solo and then Hammill joins and sings ad-libitum "into a game.." over the groove, until the track fades. 'Aerosol Grey Machine' is a funny publicity spot followed by a short instrumental 'Black Smoke Yen', where Evans establishes an interesting drum pattern joined by the bass and another piano solo by Banton. 

Now comes the best part: 'Aquarian' is a fantastic Prog-Pop-Song! It is the only track on the record (a part from the Bonus tracks) that follows a classical song structure with verse & chorus. [with the band joining on vocals for the chorus]. It starts with a great groove by Evans heavily phased drums and a pumping bass line joined by Hammill's vocals, a great chorus and a final organ frenzy.'Necromancer' is a nice stop and go rocker and 'Octopus' a heavy rocker with a ostinato bass line, organ washes and a nice organ solo in the second half, reminding Jon Lord. The record misses the dynamic tension of the later records, but is nevertheless a great record.

01. Afterwards (4:58)
02. Orthenthian St. (Part I) (2:23)
03. Orthenthian St. (Part II) (3:53)
04. Running Back (6:32)
05. Into a Game (5:56)
06. Aerosol Grey Machine (0:56)
07. Black Smoke Yen (1:18)
08. Aquarian (8:27)
09. Necromancer (3:30)
10. Octopus (7:41)
11. Firebrand (Single B-side) (4:08)
12. Firebrand [Demo] (3.33)
13. Sunshine [Demo] (4.04)
14. Ferret And Featherbird (4.33)
15. Giant Squid (3.19)

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Wednesday, November 17, 2021

Appalooza - Live at Smoky Van Sessions (US 2021)



Size: 46 MB
Bitrate: 320
mp3
Ripped by: ChrisGoesRock
Some Artwork Included

APPALOOZAis a long-gone stallion speeding after a lost freedom. Formed in Brest, France, in 2012,they take their cue from the alt-heavy firepower of Alice in Chains, the rock'n'roll stampede of the likes of Queens of the Stone Age or Them Crooked Vultures, propelling themselves with a creativity and sense of direction that are only the essence of great bands. Spirituality and ancient myths color a spacious sound that nonetheless worships at the altar of modern and unwaveringly hard-hitting heavy rock.


APPALOOZA released their first two demos “Squamata” and “Chameleon” respectively in 2013 and 2014, further to which they embarked across the pond for their first ever US tour, taking them to Colorado, Nevada and California. Fired up by a brand new energy ensuing from this successful experience, the band officially released their eponymous debut in2018, quickly followed by a second North American taking them from the Midwest lands to the Pacific Coast. Some hundred shows later, they signed to Californian powerhouse Ripple Music for the release of their sophomore album "The Holy Of Holies" on February 5th,2021. The beginning of a new era driven by an album that perfectly embodies the trio’s musical and visual reincarnation, through an intense sonic escape and ultimately, freedom.

Says APPALOOZA: “‘The Holy Of Holies’ is an ironic comment on religion. A storm is coming and ready to send mankind to a certain death. They are deprived and punished for their individualism, appearing already dead. They accept it and seek a new being to venerate, then send a scapegoat to the desert with all their sins, to find the demon Azazael, the Holy of Holies. This fallen angel takes possession of mankind. He reincarnates them into a half-man half-beast species by transplanting a horse skull, symbol of a lost freedom. Our lyrics deal with subjects such as the lie of religion, the failure to assist a person in distress, the exploitation of man by man, the disappointment that one may have in general towards people, the eternal questioning about our existence and the universe.”

Appalooza gifts us with an unforgettable live under a blazing sun.
Defend their new album “The Holy of Holies” (2021) is not even a challenge for them as it is effective and gripping. With an effortless virtuosity, the Breton trio delivers a sharp set in this corn amphitheater.

Watch the band performing the tracks Nazareth, Conquest and Azazael for the 5th Smoky Van Session.

01. Conquest 07:05
02. Nazareth 05:03
03. Azazael 06:00

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Tuesday, November 02, 2021

Green Lung - Black Harvest (Heavy Underground Rock UK 2021)


Size: 184 MB
Bitrate: 320
mp3
Ripped by: ChrisGoesRock
Some Artwork Included

In four short years of existence, Green Lung have risen from the murk of the UK heavy underground to become a true cult band with a devoted following.  Debut album Woodland Rites, released independently in early 2019, quickly garnered attention, resulting in a single being named ‘Track of the Week’ in the Guardian, plays on Daniel P. Carter’s Radio One Rock Show, a tour with fellow UK heavies Puppy and festival appearances across Europe.


This brought the band to the attention of the wider music industry, and after multiple offers from a variety of labels, the band decided to stay true to their roots and sign with the Finnish audio wizards at Svart Records, home to several of their doomy inspirations including Reverend Bizarre and Warning. Svart’s deluxe reissue of the album, and the preceding EP Free the Witch, sold out several pressings.


Two years later, the folk horror-obsessed fivesome have re-emerged from their mulchy catacombs armed with dozens of freshly-whittled riffs. Black Harvest, the sequel to Woodland Rites, is a more colourful reimagining of the band’s sound – Dawn of the Dead to its predecessor’s Night of the Living Dead.

Recorded at Giant Wafer Studios in rural mid-Wales over the course of two weeks with longtime producer Wayne Adams (Petbrick, Big Lad), it’s a more expansive and textured record than anything the band have done before, boasting a cinematic quality and more attention to detail. All samples were sourced from the local countryside and from instruments found in the studio, including the haunting opening vocal of ‘The Harrowing’ which was recorded on a whim after the band broke into the local church (the organ can be heard creaking in the background). The album was recorded in late autumn, and the seasonal atmosphere seeped into the music, which is redolent of mists, falling leaves, and the crumbling glory of the Magnificent Seven cemeteries of London, the city the band call home.


The album also soaks in new sonics beyond the ‘Black Sabbath meets Brian May’ blueprint of what went before. ‘The Harrowing’ takes the band’s tradition of instrumental opening tracks to dizzy new heights, like Atomic Rooster jamming with Boston, while ballad ‘Graveyard Sun’, based on the folklore around the ‘Highgate Vampire’, adds gothic synth lines that would give Type O Negative pangs of jealousy. That’s not to say the hooks n’ heaviness approach that made the band’s name isn’t here in abundance, as the Sabbath-meets-Purple chug and groove of revolutionary lead single ‘Leaders of the Blind’ and the Hammer Horror riff frenzy of ‘Upon the Altar’ prove. Closer ‘Born to a Dying World’ is unlike anything the band have written before; an endtimes ballad with an almost gospel feel, tying the band’s omnipresent nature themes to the Anthropocene.

Mastered by John Davis at Metropolis (Led Zeppelin, Royal Blood), Black Harvest comes packaged in stained glass artwork by renowned artist Richard Wells (Doctor Who, Dracula, Ben Wheatley’s In the Earth), and is available in gatefold vinyl and CD formats.

01. The Harrowing 02:20
02. Old Gods 03:59
03. Leaders of the Blind 04:42
04. Reaper's Scythe 04:24
05. Graveyard Sun 05:42
06. Black Harvest 02:40
07. Upon the Altar 04:38
08. You Bear the Mark 04:13
09. Doomsayer 05:27
10. Born to a Dying World 05:10

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Fuzz - Levitation Sessions Live (Classic Early 70's Sound Hardrock US 2021)


Size: 132 MB
Bit Rate: 320
mp3
Some Artwork Included

Levitation Sessions -- FUZZ! Heavy psych power trio Charles Moothart, Ty Segall and Chad Ubovich hit the stage for the first time together in five years to bring listeners and viewers a full set spanning their entire discography.


In October of 2020, FUZZ released their first album in half a decade, III, scorching the earth with pure primitive rock and roll mastery captured by the sonic guru Steve Albini. It’s a record that’s meant to be heard and experienced live, and their Levitation Session is the set fans have all been waiting for. 

The show was recorded at Zebulon in Los Angeles, CA. Director Joshua Erkman alongside sound engineers Matthew Littlejohn and Mike Kriebel, capture FUZZ’s intense energy backdropped by electric artwork from artist Tatiana Kartomten.

Fuzz is an American rock band from San Francisco, California, United States, formed in 2011. The band consists of Charles Moothart, Ty Segall and Chad Ubovich.

Created as an outlet for Moothart's affection for hard rock riffs, Fuzz began as collaboration between Moothart and Segall, while Moothart performed in Segall's live band. In 2012, the pair released two singles, "This Time I Got a Reason" and "Sleigh Ride", and were joined by bass guitarist Roland Cosio.

In October 2013, the band released its self-titled debut album, Fuzz. While touring the album, Chad Ubovich replaced Cosio on bass. In October 2015, Fuzz released their second album, entitled II, written in a more collaborative manner than the band members were used to. In October 2020, their third album, entitled III, was released.

01. Earthen Gate  03.56
02. Sleigh Ride  03.51
03. Rat Race  02.54
04. Returning  03.03
05. Time Collapse  05.59
06. The 7th Terror 06.08
07. Jack The Maggot  05.09
08. Pipe  04.46
09. Split  02.49
10. Raise  03.28
11. Hazemaze  05.40

Bonus:
12. Ty Segall & Freedom Band - Manipulator (Levitation Sessions)  02.40
13. Ty Segall & Freedom Band - Squealer (Levitation Sessions)  02.19 

1. Fuzz
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2. Fuzz
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Saturday, October 09, 2021

B.U.S. - The Unknown Secretary (Heavy Rock Italy 2016)



Size: 114 MB
Bit Rate: 320
mp3
Ripped by: ChrisGoesRock
Some Artwork Included

Bus The Unknown Secretary is a four-piece Heavy Rock group hailing from Athens, Greece, simply known as B.U.S.

The band was formed in 2011 and have since then released two EP’s and two full length albums: “The Impious Tapes” EP (2014) and “The Cross” EP (2014), followed by “The Unknown Secretary” LP (2016) and “Never Decide” LP, released back in March 2019.


Influenced by tunes and bands that emerged from the 60’s up to the 90’s, B.U.S are heavily inspired by artists such as The Who, Alice Cooper, Sex Pistols, King Diamond, Kyuss, Nirvana and many more. The band incorporates all these influences into a deeply unique and personal style, creating a genuinely special musical identity.

During the past years the band has toured extensively throughout Greece and other European countries such as Italy, Austria, Czech Republic, Germany, Serbia and Bulgaria. They also held special shows as an opening act for Uncle Acid & The Deadbeats (UK) in Athens, for Blood Ceremony (USA) during two back to back shows in Athens and Thessaloniki, as well as for Orchid (USA), again in Athens. B.U.S. have also appeared at Athens Desert-fest in 2017.

“The Unknown Secretary” comes to further unsettle the turbulent waves of music and burn its own mark in history.


Today, five years after its original release, Heavy Psych Sounds reissues this retro gem, serving it once again straight into your record case. In the beginning, there was chaos…

A while later in the Heavens, where angels reigned, there was once held a great symposium, a glorious feast. Everyone was happy and having a great time, until Lucifer, fairest and mightiest of all the angels, brought in suspicious and strange substances, offering them freely with both hands for everyone to take. All were fooled by the Ancient Serpent, starting to misbehave and act in contradiction to the Heavenly Laws. The Almighty God, enraged upon learning about the mutiny, threw everyone down on earth to suffer eternally in hunger, ugliness and desperation. Vulnerable now to each and every temptation, they are ready to perpetuate Good and Evil, while building their new earthly Kingdom in any way they can.

Angelic chants, Demon’s screams, witches dancing and woeful mortal suffering are recounted in this album’s songs, embellished with mesmerising hymns and sharp riffs. Chaos is always close and all that remains is the human revolution against the forces of evil.

01. Fallen  03:33
02. Masteroid  04:45
03. New Black Volume  04:53
04. Forever Grey  03:28
05. Don't Fear Your Demon  05:04
06. Rockerbus  07:38
07. Withered Thorn  04:49
08. Over The Hills  04:56
09. Jimi  05:20

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Thursday, September 23, 2021

The Illinois Speed Press - Selftitled & Duet (BluesRock US 1969-70) (2CD)



The Illinois Speed Press was an American rock band formed - originally, in 1965, as The Rovin' Kind - in Chicago, later relocating to California. The band was formed by Paul Cotton - later of Poco - and Kal David. According to Allmusic, their sound "combined elements of R&B and country music in a powerful double-lead-guitar attack." Cotton and David have occasionally reunited in recent years to perform together under the name.

The Capitols were a local group formed by schoolmates at Thornton Township High School in Harvey, Illinois in 1958, including Norman Paul Cotton (then known as Norm "King" Cotton) and Keith Anderson. They became The Mus-Twangs in 1961, primarily an instrumental outfit who released a single, "Marie" on the local Nero label, which was picked up for national distribution by Smash, a subsidiary of Mercury Records. The band next became The Starfires, and Cotton also performed around 1963 as a member of the Carol Vega Trio. Around the same time, Kal David (b. David Raskin) fronted another band in Chicago, The Exceptions, who also included Peter Cetera (later of Chicago).


In early 1965, Cotton formed a new group, The Gentrys, with bassist Frank Bartell and drummer Fred Page (b. Frederick Pappalardo). They were soon joined by Kal David and keyboard player Mike Anthony, and later that year they changed their name to The Rovin' Kind to avoid confusion with the Memphis band who had a hit with "Keep On Dancing". They released their first single, "Everybody", on the Contrapoint label, and recorded several further singles for the Roulette and Dunwich labels. In 1966 they won a regional "battle of the bands" contest and, as a prize, appeared on American Bandstand. In 1967, Bartell left and was replaced by Keith Anderson. Back in Chicago, The Rovin' Kind became the house band at the Whisky A Go Go, where they were seen by producer James William Guercio, who signed them to a contract with the Columbia Records subsidiary label Epic, and persuaded them to change their name to Illinois Speed Press in February 1968. Norm Cotton changed his stage name to Paul Cotton at the same time, and the band moved to Los Angeles.

With its twin guitar sound, the band played a mixture of rock and roll, soul and country music. In 1968 they performed regularly at the Whisky a Go Go in Hollywood, and at the first Newport Pop Festival, held in Costa Mesa, California, also recording their first single, "Right On Time". Anderson was then fired, and replaced by Rob Lewine before the band recorded their first album, The Illinois Speed Press, which was produced by Guercio and released in early 1969. Columbia simultaneously released albums by Chicago Transit Authority, The Flock, and Aorta, and marketed them together as part of a so-called "Chicago Sound". All four debut albums entered the Billboard Top 200 album chart, The Illinois Speed Press reaching #144.

Before the album's release, Guercio fired Page, Anthony, and later Lewine; Page died shortly afterwards. They were replaced for performances by Jimmy Rogers (bass) and Rick Allen (drums), but the band recorded their second album, Duet, essentially as a duo of Cotton and David, supported by studio musicians including Joe Osborne (bass), Hal Blaine (drums) and Michael Lloyd (keyboards). The album was released in spring 1970, but shortly afterwards Kal David left to form The Fabulous Rhinestones with bassist Harvey Brooks. Cotton was then approached by Richie Furay to join Poco as a replacement for Jim Messina, which he did a few months later.

In 2009, Cotton and David reunited for some performances as Illinois Speed Press.

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The musical style and dual lead guitar format of Illinois Speed Press have been credited as inspiring Ronnie Van Zant and Gary Rossington to form Lynyrd Skynyrd. The band's two original albums, together with bonus tracks, were reissued on CD in 2003.

Originally known as "The Rovin Kind," ISP toured the country from 1966 to 1971 playing with such prolific musicians and bands as Jimi Hendrix, Janis Joplin, The Byrds, The Grateful Dead, Chicago and many more. Though much of the personnel changed over the years, Paul Cotton (of Poco fame) and Kal David remained as the driving force. Though the band only released two records, ISP remains an underground favorite for those who were privileged enough to see this band perform.

This is a limited edition remaster of Illinois Speed Press' two releases: "Illinois Speed Press" released in 1969, and "Duet" released in 1970. Bonus tracks, including singles, have been added to the first disc. Flash files providing band information, reviews, timelines, liner notes, have been added to the second disc. The remaster captures the music as the band meant for it to be heard. NOTE TO PURCHASERS: the original source tapes were close to unusable. 

As result, Futuredge was faced with the dilemma as to whether to cut out certain horrible sections or clean them as best as it could to preserve the integrity of the original music. Futuredge opted for the latter. You may hear in one or two songs a short digital glitch. There is nothing wrong with your CD player. Futuredge is continuing to use additional technologies to see if we can restore those few seconds to a more perfect quality.Also note that there were no source materials available for the bonus tracks. As a result, while Futuredge has made every attempt to "clean" these tracks, some noise will be heard.

The Illinois Speed Press - Selftitled US-69
01. Get in the Wind        
02. Hard Luck Story        
03. Here Today        
04. Pay the Price        
05. P.N.S.- When You Come Around        
06. Be A Woman        
07. Sky Song        
08. Beauty        
09. Free Ride        
10. Right on Time [Bonus]       
11. Night People [Bonus]        
12. G.I.T.W (Instrumental version) [Bonus]        

The Illinois Speed Press - Duet US-70       
01. Country Dumplin'        
02. Sadly Out Of Place        
03. The One Who Knows        
04. Dearly, ii. Bittersweet, iii. Random Roads (And His Big Band), iv. Dearly Theme Reprise        
05. Morning Blues        
06. Bad Weather        
07. The Life        
08. The Visit        
09. Seventeen Days  

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