Size: 105 MB
BitRate: @320
mp3
Ripped by: ChrisGoesRock
Artwork Included
Amon Duul could only have happened in a certain time and place. This is, of course, the only bona fide studio album released by Amon Duul, and I have to say it is an absolute gem. The Repertoire Records edition is superlative - the clarity and warmth of the sound is impeccable, and the two bonus tracks are not only brilliant in their own right, but actually improve the structure of the CD.
'Para Dieswarts Duul' does not need to be sliced into tracks. Even though there are actually plenty of small musical shifts within each song - washes of synthesiser, key changes, vocals floating in and out of harmonies - it doesn't seem so at all. It seems like it's all one song.- one constant, flowing synthesis of sparse and delicate guitar lines, with keyboards and vocals and flutes and bongos occasionally stepping into focus for a while before vanishing back into the central piece. These five songs knitted together as an album present a wonderfully seamless statement of intent, even if the tone of one piece clashes with another (for example, the opening odyssey 'Love Is Peace' is warm and dreamily fun, whereas the closing 'Paramechanical World' - a bonus track - is spare and mournful, even hopeless).
Unlike the other Amon Duul albums, which are all taken from the same monster jam session in 1969, it is unclear exactly how much of this is improvised. I suspect 'Snow Your Thirst...' is, as it ends with a hard cut, but the rest of the album is teetering gloriously between the composed and the telepathised. It rhythmically feels its way forward, rarely breaking the pulse through its entire duration.
And strangely, that's all I can remember about it. 'Para Dieswarts Duul' is the ultimate background music, and is as successful in sending me to sleep as it is in enthralling me, drawing me into the swaying rhythms and the wonderful kosmische sirenism vocals. It is a very special album indeed, comparable to much of the rest of the Krautrock cannon in the same way that 'Islands' compares to the rest of King Crimson's music: A beautiful oddity.
Clearly the best Amon Duul's album with the original line up. Always primitive kraut / folk improvisations but the emphasis is now put on more structured songs. The abusive, mucky jam attempts of the previous efforts let the place to an easy listening psychedelic folk "trip" and it works formidably. The music retains the listener's attention thanks to intriguing, emotional compositions.
The first track starts with catchy, cool guitar melodies, acoustic percussions, with "pastoral", "peaceful" flute lines. A tremendous energy prevails. Lyrics are all about "peace and love"; "Love is peace and freedom is harmony" said the voice. The following track carries on the same beautiful, semi-acoustic psych atmosphere. It alternates experimental, improvised ideas to serene, inspired structured sections. This one is instrumental, rather "archaic" in sound but really efficient. The two bonus tracks are slow, floating, moody pieces with "stoned" melodic vocals. "Eternal Flow » is made of sad guitar arpeggios, a nice bluesy rock section with plaintive vocals, a mysterious, rather desperate atmosphere. "Paramechanical World » is a crying, lovely free ballad. Don't ask sophistication but just simplicity and feeling and you will definitely enjoy this album.
01. Love Is Peace (17:13)
02. Snow Your Thirst And Sun Your Open Mouth (9:28)
03. P Mechanische Welt (7:38)
Bonus Tracks:
04. Eternal Flow (4:10)
05. Paramechanical World (5:44)
1: Amon
or
2: Amon
or
3: Amon
2 comments:
Thanks Chris ... very much appreciated.
The instrumental contributions of Xhol Caravan's Hansi Fischer on the first track, and Amon Düül II's John Weinzierl & Shrat on the third make this album more professional sounding than their earlier jam albums, although those have their moments as well, particular Psychedelic Underground, their best.
Lead singer Rainer Bauer (aka "Dadam") in turn contributed lead vocals to the memorable closing track "Sandoz in the Rain" on Düül II's masterpiece Yeti. Bauer was arguably a better vocalist than Chris Karrer, his voice having an eerie placid quality that might have greatly benefited the later band's albums, but he never became a member, for reasons unknown.
Nice to see your blog is still posting quality music, as many others have fallen by the wayside in recent years.
Post a Comment